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Martin V. Clarke ed., Music and Theology in Nineteenth-Century Britain (Farnham: Ashgate, 2012). xvii + 262 pp. £60.00.

Published online by Cambridge University Press:  06 January 2014

Trevor Herbert
Trevor Herbert*
Affiliation:
The Open [email protected]
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 10 , Issue 2 , December 2013 , pp. 323 - 327
Copyright
Copyright © Cambridge University Press 2013 

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References

1 Philip Bliss's (PP Bliss) Gospel Songs, A Choice Collection of Hymns and Tunes, New and Old, for Gospel Meetings, Prayer Meetings, Sunday Schools, Etc. (Cincinatti, OH: John Church, 1874)Google Scholar

2 Stevenson, Robert, ‘Ira D. Sankey and the Growth of “Gospel Hymnody” ’ in Patterns of Protestant Church Music (Durham, NC: Duke University Press, 1953), 162Google Scholar

3 Herbert, Trevor, ‘God's Perfect Minstrels: The Bands of the Salvation Army’ in Trevor Herbert (ed.) The British Brass Band: A Musical and Social History (Oxford: Oxford University Press, 2000), 187–216Google Scholar

4 Literally, a singing meeting – a hymn-singing festival that became popular in Welsh-speaking nonconformist chapels during the nineteenth century and continues to feature in Welsh-language culture, not just in Wales but also in expatriate Welsh communities.

5 Quoted from a review by Nicholas Temperley in the November 2012 Newsletter of the North American British Music Studies Association, p. 14.