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Published online by Cambridge University Press: 24 February 2021
1 Sieghard Brandenberg, ed. Beethoven: Werke, Abteilung V, Bd. 1–2: Werke für Klavier und Violine by Ludwig van Beethoven (Munich: Henle, 1974).
2 For Volume I see www.baerenreiter.com/moreinfo/BA9014 and for Volume II see www.baerenreiter.com/moreinfo/BA9015/.
3 On this subject see my ‘Editing Beethoven's Middle-Period Quartets: Performers, Scholars and Sources in Dialogue’, Ad Parnassum 12/24 (2014), 31–53.
4 See in particular , Brown, Classic and Romantic Performing Practice (Oxford: Oxford University Press, 1999)Google Scholar.
6 Kramer, Richard, review of Siegard Brandenburg, ed. Beethoven: Werke, Abteilung V, Bd. 1–2: Werke für Klavier und Violine by Ludwig van Beethoven, Music & Letters, 57/3 (1976): 331–3Google Scholar. The exception is at bar 110 in the Andante of Op. 23, where there are staccato strokes at the beginnings of slurs in the piano's right hand; Brown dismisses this as an engraver's error.
7 van Beethoven, Ludwig, Sonata for Piano and Violin, G major, Op. 96. Facsimile of the autograph manuscript, with editorial notes by Martin Staehelin (Munich: Henle, 1977)Google Scholar; for example, the autograph score of Op. 32 No. 2 is available at Beethoven Haus (Sammlung H. C. Bodmer HCB Mh 26) and has been digitized in the Digital Archive as an ‘autograph with sound’.