Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-24T20:24:39.030Z Has data issue: false hasContentIssue false
  • English
  • Français

Johannes Brahms, Sonatas in F minor and E-flat major for Clarinet and Piano, op. 120, edited by Clive Brown and Neal Peres Da Costa Bärenreiter-Verlag Urtext (Kassel: Bärenreiter, 2015).

Review products

Johannes Brahms, Sonatas in F minor and E-flat major for Clarinet and Piano, op. 120, edited by Clive Brown and Neal Peres Da Costa Bärenreiter-Verlag Urtext (Kassel: Bärenreiter, 2015).

Published online by Cambridge University Press:  06 August 2018

Cecilia Kang
Cecilia Kang*
Affiliation:
Furman [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Score Review
Information
Nineteenth-Century Music Review , Volume 16 , Issue 2 , August 2019 , pp. 315 - 316
Copyright
Copyright © Cambridge University Press, 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Weston, Pamela, Heroes & Heroines of Clarinettistry: A Selection of Writings (Victoria, BC: Trafford, 2008), 125 Google Scholar.

2 Don Reese, Music in Print Series Online, www.emusicquest.com (accessed 23 January 2018).

3 Clive Brown, ‘Critical Report’, 58.

4 Bärenreiter website description of the score, www.baerenreiter.com/en/shop/product/details/BA10911/Verlag (accessed 8 July 2018).

5 Clive Brown, ‘Performing Practice Commentary’, xiv.

6 Clive Brown, ‘Performing Practice Commentary’, xiv.

7 The sources in which discrepancies arose are the proofs of the clarinet part in A; the separate autograph of the clarinet part; the Stichvorlage of the separate viola part; the Stichvorlage for the version for violin and piano; the first edition of the version for clarinet/viola and piano; and the first edition of the separate clarinet part. Clive Brown, ‘Critical Report’, 60.

8 Clive Brown, ‘Critical Report’, 60, 59.

9 For further investigation of Brahmsian interpretation and style, see Brown, Clive, Da Costa, Neal Peres and Wadsworth, Kate Bennett, Performing Practices in Johannes Brahms’ Chamber Music (Kassel: Barenreiter, 2015)Google Scholar.