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Jacquelyn Sholes, Allusion as Narrative Premise in Brahms's Instrumental Music (Bloomington: Indiana University Press, 2018). xi + 256 pp. $85.00.

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Jacquelyn Sholes, Allusion as Narrative Premise in Brahms's Instrumental Music (Bloomington: Indiana University Press, 2018). xi + 256 pp. $85.00.

Published online by Cambridge University Press:  14 November 2019

Diego Cubero
Diego Cubero*
Affiliation:
University of North [email protected]
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 17 , Special Issue 3: The Experience of Listening to Music in the Nineteenth Century , December 2020 , pp. 482 - 489
Copyright
Copyright © Cambridge University Press 2019

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References

1 Brinkmann, Reinhold, Late Idyll: The Second Symphony of Johannes Brahms (Cambridge: Harvard University Press, 1997): 38–41Google Scholar.

2 Raymond Monelle has argued that this rhythmic figure ‘seems to have been an instrumental imitation of a roll in the drum’. Monelle, Raymond, The Sense of Music: Semiotic Essays (Princeton: Princeton University Press, 2000): 43Google Scholar.

3 Monelle, Raymond, The Musical Topic: Hunt, Military and Pastoral (Bloomington: Indiana University Press, 2006): 271Google Scholar.

4 Hepokoski, James and Darcy, Warren, Elements of Sonata Theory: Norms, Types, and Deformations in the Late Eighteenth-Century Sonata (New York: Oxford University Press, 2006): 170–77CrossRefGoogle Scholar. The trimodular organization of this movement's soloist exposition is discussed in Hepokoski, James, ‘Monumentality and Formal Process in the First Movement of Brahms's Piano Concerto No. 1 in D minor, Op. 15’, in Expressive Intersections in Brahms, Essays in Analysis and Meaning, ed. Smith, Peter H. and Platt, Heather A. (Bloomington: Indiana University Press, 2012): 217–51Google Scholar.