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Published online by Cambridge University Press: 23 April 2020
1 For further discussion of such works see Powley, Harrison, ‘Symphonic Music for Multiple Timpani from the Eighteenth and Early Nineteenth Centuries’, in Perkussionsinstrumente in der Kunstmusik vom 16. bis zur Mitte des 19. Jahrhunderts: XXXV. Wissenschaftliche Arbeitstagung und 28. Musikinstrumentenbau-Symposium Michaelstein 4. bis 7. Oktoker 2007, ed. Lustig, Monika and Schmuhl, Boje (Augsburg: Wissner, 2010): 437–63Google Scholar. See also Sam Girling, ‘Curious Virtuosity: The Emergence and Decline of Unconventional Repertory for Timpani and Percussion in the Late Eighteenth and Early Nineteenth Centuries’ (PhD diss., University of Auckland, 2018): 20–67.
2 See Cairns, David, Berlioz: Servitude and Greatness, 1832–1869 (Berkeley: University of California Press, 2000): 190Google Scholar; see also van Rij, Inge, The Other Worlds of Hector Berlioz: Travels with the Orchestra (Cambridge: Cambridge University Press, 2015): 48CrossRefGoogle Scholar.
3 See Meyerbeer, Giocomo, in Briefwechsel und Tagebücher, ed. Becker, H. (Berlin: Der Gruyter, 1970): 121Google Scholar. See also Montagu, Jeremy, Timpani and Percussion (New Haven: Yale University Press, 2002): 115Google Scholar, and MacDonald, Hugh, Berlioz's Orchestration Treatise: A Translation and Commentary (Cambridge: Cambridge University Press, 2004): 267Google Scholar.