Research Article
Creating Earthquakes
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- 13 February 2024, pp. 1-30
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What is ISTA (International School of Theatre Anthropology)?
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- 29 April 2024, pp. 103-124
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Aesthetic Breakthrough and Cultural Intervention in the Productions of Two Modern Kunqu Plays
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- 10 October 2024, pp. 195-209
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Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China
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- 10 October 2024, pp. 210-225
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NGOs and the Neo-Liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights
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- 13 February 2024, pp. 31-47
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Feminist Rereading of Shabih’khani in Iran
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- 29 April 2024, pp. 125-141
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Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov
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- 29 April 2024, pp. 142-157
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Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta
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- 10 October 2024, pp. 226-241
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SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration
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- 13 February 2024, pp. 48-61
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Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics
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- 10 October 2024, pp. 242-255
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Beckett’s Wasted Breath
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- 13 February 2024, pp. 62-75
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Embodied Voice Valery Nikolayevich Galendeyev 12.5.1946 – 24.1.2024
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- 29 April 2024, pp. 158-159
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Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama
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- 10 October 2024, pp. 256-265
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Contemporary Censorship Debates in Germany
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- 29 April 2024, pp. 160-166
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The Ageing Self through Dramaturgies of Memory Loss and Love: Tristan Bernays’ Old Fools and Nick Payne’s Elegy
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- 13 February 2024, pp. 76-87
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British Theatre from Agitprop to ‘Primark Playwriting’
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- 10 October 2024, pp. 266-271
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Post Scriptum Budapest: The Tenth International Meeting of Theatre (MITEM)
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- 13 February 2024, pp. 88-100
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‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’
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- 29 April 2024, pp. 167-176
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Mysticism as Transgression in Chista Yasrebi’s Rahil
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- 10 October 2024, pp. 272-279
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The Hegemonic Ashkenaziness of Hebrew Theatre
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- 29 April 2024, pp. 177-191
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