Research Article
Architecture and/in Theatre from the Bauhaus to Hong Kong: Mathias Woo's Looking for Mies
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- 31 January 2012, pp. 3-19
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Granville Barker's Ensemble as a Model of Fabian Theatre
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- 12 November 2012, pp. 307-324
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Embodied Memory: Body-Memory in the Performance Research of Jerzy Grotowski
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- 31 August 2012, pp. 211-229
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Performing the Rest Cure: Mrs Patrick Campbell's Ophelia, 1897
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- 15 May 2012, pp. 107-121
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The Style of Commedia dell'Arte Acting: Observations Drawn from the Scenarios of Flaminio Scala
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- 12 November 2012, pp. 325-333
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‘It is Germany where he Truly Lives’: Nazi Claims on Shakespearean Drama
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- 31 August 2012, pp. 230-242
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Letter to a Dead Playwright: Daily Grind, Vicki Reynolds, and Archive Fever
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- 15 May 2012, pp. 122-132
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Russian Enterprise, Bengali Theatre, and the Machinations of the East India Company
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- 31 January 2012, pp. 20-29
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Mapping Realities: Representing War through Affective Place Making
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- 31 January 2012, pp. 30-40
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The Gospel According to Dario Fo
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- 12 November 2012, pp. 334-342
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Embodying Resistance: Gendering Public Space in Ragtime Social Dance
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- 31 August 2012, pp. 243-259
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Postdramatism, Ethics, and the Role of Light in Martin Crimp's Fewer Emergencies (2005)
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- 15 May 2012, pp. 133-142
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‘Anonymity is the Essence’: in Search of Adolphe Appia
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- 15 May 2012, pp. 143-162
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‘If You Want to Be Green Hold Your Breath’: Climate Change in British Theatre
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- 31 August 2012, pp. 260-271
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Entertaining Children: an Exploration of the Business and Politics of Childhood
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- 31 January 2012, pp. 41-55
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Theatre as Intervention: Christoph Schlingensief's Hamlet in Zürich and Berlin, 2001
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- 12 November 2012, pp. 343-351
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Shadows in the Sun: Context, Process, and Performance in Ethiopia
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- 31 August 2012, pp. 272-295
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Performing Ancient Drama in Mask: the Case of Greek Tragedy
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- 15 May 2012, pp. 163-181
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Reasons for Joy and Reflection: Engaging with Shakespeare at the Craiova Festival
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- 12 November 2012, pp. 352-362
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The Diva and the Demon: Ingmar Bergman Directs The Rose Tattoo
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- 31 January 2012, pp. 56-66
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