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A Tale of a Few Cities: Interculturalism on the Road

Published online by Cambridge University Press:  15 January 2009

Abstract

This is a personal record of a theatre worker's journey to places where theatre is inextricably mixed with politics — or is no less significantly divorced from social concerns. Visiting mainland China and South Africa in the summer of 1990, Richard Schechner records how theatre people confronted the aftermath of major political upheavals – the crushing of hopes in Tiananmen Square, and the perhaps deceptive raising of them following the release of Nelson Mandela. His trip also took in the widely different perspectives and problems of Taiwan, where pluralism struggles (almost unnoticed in the West) to displace an ageing autocracy. Richard Schechner teaches at New York University, and recently returned to the editorial chair at The Drama Review, the journal he conducted through its vintage years in the 'sixties – at the same time creating the Performance Group, and beginning his researches into theatre and anthropology, the field in which he has published widely and innovatively in the interim.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1991

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References

Community Arts Project (CAP) 1990a: ‘Community Arts Project’, CAP information sheet distributed by CAP, Cape Town.Google Scholar
Community Arts Project (CAP) 1990b: ‘Functions, Forms, and Challenges Facing Theatre in South Africa: Proceedings of the CAP Theatre Seminar held on 29 September 1990’, distributed by CAP, Cape Town.Google Scholar
New Africa Theatre Project 1986: ‘New Africa Theatre Project’, mimeographed statement of purpose, privately distributed by Mavis TaylorGoogle Scholar
Schechner, Richard 1989a: ‘On Chinese Theatre’, American Theatre, V, No. 1 (03), p. 52–4.Google Scholar
Schechner, Richard 1989b: ‘Last Exit from Shanghai’, American Theatre, VI, No. 8 (11), p. 24–9, 59–60.Google Scholar