Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-27T13:44:14.900Z Has data issue: false hasContentIssue false
  • English
  • Français

Revolution as Self-Expression: the Folklore Ballet of Nicaragua

Published online by Cambridge University Press:  15 January 2009

Ronald Abud V
Get access Rights & Permissions [Opens in a new window]

Abstract

Early in 1986, the Ballet Folklorico Nacional de Nicaragua was invited by the London Borough of Camden to play a season at the Shaw Theatre. Its founder and director. Ronald Abud V, taked to Elaine Turner, with the assistance of the company's translator Margaret Clark, about the work and aims of a company which has become closely identified with its country's revolution, and about the means of expressing a rediscovered national identity through the performing arts.

Type
Research Article
Information
New Theatre Quarterly , Volume 3 , Issue 9 , February 1987 , pp. 89 - 92
Copyright
Copyright © Cambridge University Press 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)