Finding a Physical Language: Directing for the Nineties Generation

Abstract

In the course of his career, James Macdonald has directed a vast array of plays and operas in London, New York, Vienna, and Berlin, but he is perhaps best known for the premiere productions of Sarah Kane's Blasted, Cleansed, and 4.48 Psychosis at the Royal Court Theatre, where he was an Associate Director from 1992 to 2006. His most recent work includes Peter Handke's The Hour We Knew Nothing of Each Other at the National Theatre and the Broadway revival of Caryl Churchill's Top Girls. Macdonald met with R. Darren Gobert in London on 23 January 2006 to discuss the challenges of working with spare, difficult plays such as Kane's, Churchill's A Number, and Martin Crimp's Fewer Emergencies. R. Darren Gobert wishes to thank Annabel Rutherford for transcribing the conversation and, for their funding, the Faculty of Arts Committee on Research, Grants, and Scholarships at York University.