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The Erotic in the Theatre of Peter Zadek
Published online by Cambridge University Press: 15 January 2009
Abstract
In NTQ 4 (1985) we included a fully-illustrated interview with the German director Peter Zadek conducted by Roy Kift. Here, Andreas Höfele explores one of the subjects touched on in that interview, as in most responses to Zadek's work: the utilization of the erotic as a recurring motif. From his introduction to London of the then little-known work of Jean Genet to his most recent productions – of Wedekind's Lulu and of Chekhov's Ivanov – Zadek has, in Höfele”s words, opted for ‘the kaleidoscopic uncertainty of play’ and a ‘deliberate lack of closure’, which are here analyzed in terms of Baudrillard's ‘structure of seduction’ employed both as aesthetic principle and as working method. Andreas Höfele, who has taught in the German Department of Edinburgh University and in the English Department at Würzburg, has been Professor of Theaterwissenschaft at the University of Munich since 1986. Apart from four novels, and books on Shakespeare's stagecraft and Malcolm Lowry, he has published articles and lectured on contemporary German productions of Shakespeare, on contemporary British drama, and on aspects of theatrical theory.
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- Copyright © Cambridge University Press 1991
References
Notes and References
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3. Documented in Canaris, op. cit., p. 66 f.
4. For instance, in an interview conducted by Müller, Peter for the leading German theatre journal, Theater Heute (Jahrbuch 1988), p. 86–90Google Scholar, which was tellingly entitled: ‘Ich bin natürlich ein Krimineller’ (‘I am, of course, a criminal’).
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