Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-11-27T19:46:21.883Z Has data issue: false hasContentIssue false
  • English
  • Français

The Irony of Passionate Chaos: Modernity and Performing Medea

Published online by Cambridge University Press:  19 August 2004

Fiona Shaw
Get access Rights & Permissions [Opens in a new window]

Abstract

Clara Armand, author of the preceding article on ‘Dialogism and the Theatre Event’ in relation to Deborah Warner's production of Euripides' Medea, talks with Fiona Shaw about her close working relationship with the director in earlier productions, and the process of creating and developing the title role in the play. The interview took place in the Queen's Theatre on 21 February 2001, during the West End run of the production.

Type
Research Article
Information
New Theatre Quarterly , Volume 20 , Issue 3 , August 2004 , pp. 237 - 244
Copyright
© 2004, Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)