Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-27T15:59:28.107Z Has data issue: false hasContentIssue false
  • English
  • Français

Istanbul: The Lost Paradigm For Understanding Turkish Society

Published online by Cambridge University Press:  21 July 2015

Şirin Tekeli
Şirin Tekeli*
Affiliation:
Formerly Faculty of Political Science, Istanbul University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Articles
Information
New Perspectives on Turkey , Volume 15 , Fall 1996 , pp. 119 - 126
Copyright
Copyright © New Perspectives on Turkey 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Mantran, Robert, Histoire d’Istanbul. Fayard, Librane Arthème, 1996Google Scholar, especially Ch. 12: “De l’Ottomantisme au cosmopolitisme (XIXe. siècle-début du XXe.siècle), pp. 285–319.Google Scholar

2 Yet, remembering the mere title of a recent, short article by sociologist Göle, Nilüfer, one wonders if, in spite of many changes, Istanbul does not keep the spirit of “cosmopolitanism” even in the 1990’s: “Rebellious, Contemporary and Cosmopolitan” (Yeni Yüzyıl, 5 July 1996).Google Scholar The article was an interesting interpretation of the meaning of the concert that Kudsi Erguner and his Turkish Music Ensemble presented at Hagia Eirene Museum (an old Byzantine church) at which the Ensemble played the Ferahfeza Mevlevi Ayini by Hammamizade Ismail Dede Efendi, a nineteenth century Ottoman composer.