Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-27T21:50:27.902Z Has data issue: false hasContentIssue false
  • English
  • Français

Asuman Suner. New Turkish Cinema: Belonging, Identity and Memory. New York: I.B. Tauris, 2010, xii + 209 pages.

Published online by Cambridge University Press:  21 July 2015

Özlem Köksal
Özlem Köksal*
Affiliation:
Birkbeck College, University of London
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
New Perspectives on Turkey , Volume 42 , Spring 2010 , pp. 274 - 278
Copyright
Copyright © New Perspectives on Turkey 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Higson, Andrew, ‘The Concept of National Cinema,” Screen, 30, no. 4 (1989): 37CrossRefGoogle Scholar.

2 Suner, Asuman, Hayalet Ev (İstanbul: Metis), 2006Google Scholar.

3 Bachelard, Gaston, Poetics of Space (Boston: Beacon), 1994Google Scholar.

4 Boym, Svetlana, The Future of Nostalgia (New York: Basic Books), 2001Google Scholar.

5 Originally the name of a street in İstanbul's Beyoğlu district, Yeşilçam refers to the heyday of Turkish cinema and the film industry in Turkey in general, which came to an end in the late 1970s.