Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-29T19:22:15.637Z Has data issue: false hasContentIssue false

Filmske Novosti: Filmed Diplomacy

Published online by Cambridge University Press:  25 January 2021

Abstract

This article maps out a network of cinematic collaboration established between Yugoslavia and the non-aligned countries in Africa, primarily via the institution of the Yugoslav Newsreels (Filmske novosti). Yugoslav newsreel activities developed to accompany the performative diplomacy of President Tito’s “Voyages of Peace,” playing a role both in cementing his image internationally and his political status at home. By the late 1950s, cinema would become one of the central instruments of Yugoslav information activities abroad, capitalizing on an expanding diplomatic network. In this context, Filmske novosti became the bearers of Yugoslav technical aid in the domain of cinema. Building on a trope of shared revolutionary struggles, they boosted Yugoslavia’s international reputation through the filming of the Algerian Liberation Movement. The unique nature of the cinematic aid provided by Filmske novosti to liberation movements such as the ALN and FRELIMO was continued, with assistance in setting up of national film centers in countries such as Mali and Tanzania. Throughout, Yugoslavia maintained a praxis of non-conditional and non-credited transnational ciné-kinship, which is one of the reasons this remains an unknown chapter in the history of Third Cinema and militant ciné-geographies.

Type
Special Issue Article
Copyright
© The Author(s), 2021. Published by Cambridge University Press on behalf of Association for the Study of Nationalities

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Bedjaoui, Ahmed. 2014. Cinéma et guerre de libération: Algérie, des batailles d’images. Algiers: Chihab éditions.Google Scholar
Brkljačić, Maja. 2002. “Tito’s Bodies in Word and Image.” Narodna Umjetnost 40 (1): 99127.Google Scholar
Buchsbaum, J. 2001. “A Closer Look at Third Cinema.” Historical Journal of Film, Radio and Television 21 (2): 153166.CrossRefGoogle Scholar
Byrne, Jeffrey. 2016. Mecca of Revolution: Algeria, Decolonization, and the Third World Order. New York: Oxford University Press.CrossRefGoogle Scholar
Connelly, Mathew. 2002. A Diplomatic Revolution: Algeria’s Fight for Independence and the Origins of the Post-Cold War Era. New York: Oxford University Press.Google Scholar
Cosovschi, A. 2020. “Searching for Allies in America’s Backyard: Yugoslav Endeavors in Latin America in the Early Cold War.” The International History Review. Published online ahead of print April 23, 2020. http://doi.org/10.1080/07075332.2020.1755339 Google Scholar
Chamberlin, Paul. 2012. The Global Offensive: The United States, the Palestine Liberation Organization, and the Making of the Post-Cold War Order. New York: Oxford University Press.Google Scholar
Diawara, Manthia. 1992. African Cinema: Politics & Culture. Indianapolis: Indiana University Press.Google Scholar
Dickinson, Kay. 2018. Arab Film and Video Manifestos: 45 Years of the Moving Image Amid Revolution. Washington, DC: Palgrave CrossRefGoogle Scholar
Dimić, Ljubodrag. 2008. “Predgovor: Istoriografski putokazi: Istoriografsko nasleđe o spoljnoj politici Jugoslavije u hladnom ratu.” In Spoljna politika Jugoslavije 1950-1961; zbornik radova, edited by Mitrović, Momčilo. Belgrade: Institut za noviju istoriju Srbije.Google Scholar
Dinkel, Jürgen. 2014. “Non-Aligned Summits as International Media Events.” In The Non-Aligned Movement and the Cold War: Delhi – Bandung – Belgrade, edited by Boškovska, Nada, Fischer-Tiné, Harald, and Mišković, Nataša, 207225. Routledge Studies in the Modern History of Asia 96. New York: Routledge.Google Scholar
Eshun, Kodwo and Gray, Ros. 2011. “The Militant Image: A Ciné‐Geography.” Third Text 25 (1): 112.CrossRefGoogle Scholar
Hadouchi, Olivier. 2017. “Images of Non-Aligned and Tricontinental Struggles”, Volume #5 Non-Aligned Modernisms. Belgrade: Museum of Contemporary Art.Google Scholar
Jakovina, Tvrtko. 2011. Treća strana Hladnog rata. Zagreb: Fraktura.Google Scholar
Kilian, Cassis. 2010. “Glimmering Utopias: 50 Years of African Film.” Africa Spectrum 45 (3): 147–59.CrossRefGoogle Scholar
Mitrović, Dragoslav-Dragan. 2001. Odsanjani snovi: Četiri decenije s kamerom filmskog reportera. Belgrade: Bonart.Google Scholar
Pečar, Zdravko. 1967. Alžir do nezavisnosti. Belgrade: Prosveta Google Scholar
Power, Marcus. 2004. “Post-Colonial Cinema and the Reconfiguration of Moçambicanidade.” Lusotopie 11 (1): 261–78.Google Scholar
Rubinstein, Alvin Z. 1970. Yugoslavia and the Nonaligned World. Princeton: Princeton University Press.Google Scholar
Sorlin, Pierre. 1998. “The Cinema: American Weapon for the Cold War.” Film History 10 (3), 375381.Google Scholar
Sorlin, Pierre. 2019. “French Newsreels and the Suez Crisis: How to Make a Failure Look like a Positive Outcome”. Historical Journal of Film, Radio and Television, 39(4), 788802.CrossRefGoogle Scholar
Vučetić, Radina. 2017a. “Tito’s Africa: Representation of Power during Tito’s African Journeys.” In Tito in Africa: Picturing Solidarity, edited by Vučetić, Radina and Betts, Paul. Belgrade: Museum of Yugoslavia.Google Scholar
Vučetić, Radina. 2017b. “Uspostavljanje jugoslovenske filmske saradnje sa Afrikom.” Godišnjak za društvenu istoriju 24 (2): 5781.Google Scholar
Labudović, Stevan. 2017. Cameraman of Filmske novosti. Interviewed by author multiple times in the period between December 2014–December 2017. Belgrade.Google Scholar
Saadi, Salim. 2019. Colonel, Commander of 19th Battalion, ALN. Interviewed by author, May 2019. Algiers.Google Scholar
Si Belkacem, Ferhat. 2019. Head of the film unit of the Political Commissariat of the ALN from 1960–1962. Interviewed by author, December 2015. Algiers.Google Scholar
Documentation of Veda Zagorac and Zdravko Pečar Google Scholar
837, Kabinet Predsednika Republike (KPR) Google Scholar
461, Savezni sekretarijat za informacije (SINF) Google Scholar
507, IX, Centralni Komitet Saveza Komunista Jugoslavije, (SIV) Google Scholar
559, Savezna Komisija za kulturne veze sa inostranstvom Google Scholar
Politička Arhiva (PA) Google Scholar
Papers of John F. Kennedy Google Scholar
Labudović, Stevan. 2017. Cameraman of Filmske novosti. Interviewed by author multiple times in the period between December 2014–December 2017. Belgrade.Google Scholar
Saadi, Salim. 2019. Colonel, Commander of 19th Battalion, ALN. Interviewed by author, May 2019. Algiers.Google Scholar
Si Belkacem, Ferhat. 2019. Head of the film unit of the Political Commissariat of the ALN from 1960–1962. Interviewed by author, December 2015. Algiers.Google Scholar
Documentation of Veda Zagorac and Zdravko Pečar Google Scholar
837, Kabinet Predsednika Republike (KPR) Google Scholar
461, Savezni sekretarijat za informacije (SINF) Google Scholar
507, IX, Centralni Komitet Saveza Komunista Jugoslavije, (SIV) Google Scholar
559, Savezna Komisija za kulturne veze sa inostranstvom Google Scholar
Politička Arhiva (PA) Google Scholar
Papers of John F. Kennedy Google Scholar
Documentation of Veda Zagorac and Zdravko Pečar Google Scholar
837, Kabinet Predsednika Republike (KPR) Google Scholar
461, Savezni sekretarijat za informacije (SINF) Google Scholar
507, IX, Centralni Komitet Saveza Komunista Jugoslavije, (SIV) Google Scholar
559, Savezna Komisija za kulturne veze sa inostranstvom Google Scholar
Politička Arhiva (PA) Google Scholar
Papers of John F. Kennedy Google Scholar