Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-24T09:06:45.788Z Has data issue: false hasContentIssue false

Study of Mexican Colonial Mural Paintings: An In-situ Non-Invasive Approach

Published online by Cambridge University Press:  13 January 2015

José Luis Ruvalcaba-Sil
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Malinalli Wong-Rueda
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Maria Angelica Garcia-Bucio
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Edgar Casanova-Gonzalez
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Mayra Dafne Manrique-Ortega
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Valentina Aguilar-Melo
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Pieterjan Claes
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Dulce Maria Aguilar-Tellez
Affiliation:
Instituto de Física, Universidad Nacional Autónoma de México, Circuito de la Investigación Científica s/n, Ciudad Universitaria, Mexico D.F. 04510, Mexico. e-mail: [email protected]
Get access

Abstract

Colonial mural painting developed in Mexico in XVI century after the conquest of the pre-Hispanic cultures following the evangelization process little information exists about the chronology of the paintings and workshops, the painters, the pictorial techniques or the materiality of this art work.

In this work, we present the non-invasive methodology of study of the pigments and other components of nine mural paintings in three colonial Augustinian ex-convents located in Epazoyucan, Actopan and Ixmiquilpan, in the state of Hidalgo, central Mexico. These places were selected not only because of the inherent value and iconographic characteristics of the paintings, which date to the XVI and XVII century, but also because they are in the same region and are well preserved and in good condition. Then it is possible to compare their materiality and get new information to answer to some of questions related to these paintings.

X-ray Fluorescence (XRF) and Raman spectroscopy were conducted using portable equipment on scaffolds after a global examination under ultraviolet light. We were able to distinguish between different pigments used for different colors such as vermillion, orpiment, and a copper pigment, for the bright red, gold yellow, and green, respectively. These pigments are characteristic of the known Mexican Colonial color palette. Apart from this, we also found the presence of indigo in the blues, minium, and cochineal. A first comparison among the mural paintings of the three sites indicates different palettes and painting periods.

Type
Articles
Copyright
Copyright © Materials Research Society 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Fernández, I., Historia de México. (Ed. Pearson, , Mexico, 2004) pp. 7578.Google Scholar
Reyes-Valerio, C., Arqueología Mexicana 3, 6267 (1995).Google Scholar
Toussaint, M., Pinturas Murales en los Conventos Mexicanos del S. XVI. (Ediciones de Arte S. A., Mexico, 1948) pp. 14.Google Scholar
Middleton, A., Uprichard, K., The Nebamun Wall Paintings: Conservation, Scientific Analysis and Display at the British Museum (Archetype, London, 2008) pp. 144.Google Scholar
Aquilia, E., Barone, G., Crupi, V., Longo, F., Majolino, D., Mazzoleni, P., Venuti, V., Journal of Cultural Heritage 13, 229233 (2012).10.1016/j.culher.2011.09.006CrossRefGoogle Scholar
Kakoulli, I., Greek Painting Techniques and Materials: From the Fourth to the First Century BC (Archetype, London, 2009) pp. 167.Google Scholar
Howard, H., Pigments of English Medieval Wall Painting, (Archetype, London, 2003), pp. 345.Google Scholar
Falcón, T., La Pintura mural de Epazoyucan: Consideraciones sobre sus Etapas Pictóricas, Técnica de Manufactura y Estado de Conservación (Laboratorio de Diagnóstico de Obras de Arte, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, Mexico, 2012).Google Scholar
Toussaint, M., Pintura Colonial en México. (Universidad Nacional Autónoma de México, Mexico, 1965) pp. 309.Google Scholar
Arroyo, E., La Pintura Mural de Actopan: Consideraciones sobre sus Etapas Pictóricas, Técnica de Manufactura y Estado de Conservación (Laboratorio de Diagnóstico de Obras de Arte, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, Mexico, 2012).Google Scholar
Vergara, A., Las pinturas del templo de Ixmiquilpan ¿Evangelización reivindicación indígena o propaganda de guerra?, (Universidad Autónoma del Estado de Hidalgo, Pachuca, 2010) pp. 1131.Google Scholar
Miliani, C., Rosi, F., Brunetti, B.G., Sgamelotti, A., Accounts of Chemical Research 43, 728738 (2010).10.1021/ar100010tCrossRefGoogle Scholar
Vornicu, N., Bibire, C., Murariu, E., Ivanov, D., X-ray Spectrometry 42, 380387 (2013).10.1002/xrs.2459CrossRefGoogle Scholar
Gebremariam, K. F., Kvittingen, L., Banica, F.G., X-ray Spectrometry 42, 462469 (2013).10.1002/xrs.2504CrossRefGoogle Scholar
Irazola, M., Olivares, M., Castro, K., Maguregui, M., Martínez-Arkarazo, I., Madariaga, J.M., Journal of Raman Spectroscopy 43, 16761684 (2012).10.1002/jrs.4036CrossRefGoogle Scholar
Gómez, M., La Restauración: Examen Científico Splicado a la Conservación de Obras de Arte, (Cuadernos de Arte Cátedra, Madrid, 2004) pp. 5563.Google Scholar
Castro, F., Pelosi, C., “Study of Wall Paintings and Mosaics by means of Ultraviolet Fluorescence and False Colour Infrared Photography” in Proceedings of the International Meeting YOCOCU or Youth in Conservation of Cultural Heritage , Rome, Italy, 2008.Google Scholar
Aldrovandi, A., Picollo, M., Metodi di Documentazione e Indagini non Invasive sui Dipinti (Collana i Talenti, Il Prato, Padova, 1999) p. 67110.Google Scholar
Ruvalcaba Sil, J.L., Ramírez Miranda, D., Aguilar Melo, V., X-Ray Spectrometry 39, 228345 (2010).10.1002/xrs.1257CrossRefGoogle Scholar
Fontana, D., Alberghina, M.F., Barraco, R., Basile, S., Tranchina, L., Brai, M., Gueli, A., Olindo Troja, S., Journal of Cultural Heritage 15, 266274 (2014).10.1016/j.culher.2013.07.001CrossRefGoogle Scholar
Edwards, H.G.M., Chalmers, J.M., Raman Spectroscopy in Archaeology and Art History, Analytical Spectroscopy Series (Royal Society of Chemistry, London, 2005), pp 530.Google Scholar
Mühlethaler, B., Thissen, J., “Smalt” in Artists’ Pigments, vol. 2, ed. Roy, Ashok, (Oxford University Press, 1993) p.113130.Google Scholar
Casanova-González, E., García Bucio, A., Ruvalcaba-Sil, J.L., Santos-Vasquez, V., Esquivel, B., Falcón, T., Arroyo, E., Zetina, S., Roldán, L.M., Domingo, C., Journal of Raman Spectroscopy 43, 15511559 (2012).10.1002/jrs.4086CrossRefGoogle Scholar
Vandenabeele, P., Ortega-Avilés, M., Tenorio Castilleros, D., Moens, L., Spectrochimica Acta A 68, 10851088 (2007).10.1016/j.saa.2007.01.031CrossRefGoogle Scholar
Vandenabeele, P., Bodé, S., Alonso, A., Moens, L., Spectrochimica Acta A 61, 23492356 (2005).10.1016/j.saa.2005.02.034CrossRefGoogle Scholar
Doménech, A., Doménech-Carbó, M.T., Edwards, H.G.M., Journal of Raman Spectroscopy 42, 8696 (2011).10.1002/jrs.2642CrossRefGoogle Scholar
Eastaugh, N., Walsh, V., The Pigment Compendium. Microscopy of Historic Pigments. (Routledge, London, 2004), pp. 960.Google Scholar
Mayer, R., The Artist’s Handbook of Materials and Techniques (Viking Penguin, New York, 1973) pp. 165, 253.Google Scholar