Article contents
The ‘civic religion’ of the Resistance in post-war Italy
Published online by Cambridge University Press: 18 May 2016
Summary
The problem of the legitimacy or otherwise of the Resistance tradition in post-war Italy has been addressed in recent years mainly in terms of the role of the partisan struggle and its political legacy. This article aims to assess the tradition in terms of commemorative practices, rituals, artistic representations and monuments. It seeks to evaluate whether the Resistance gave rise to a civic religion that may be compared to those which existed in the Liberal period, based on the heroic struggles and figures of the Risorgimento, and the Fascist period, which drew on the feelings of loss and injustice that followed the First World War. It is argued that, although the Resistance lacked, prior to the 1960s, a high degree of official sponsorship, it did acquire some of the features of a civic religion. Its appeal was mainly limited to the regions administered by the Left which had seen a significant degree of Resistance activity in 1943-5. Even here, however, it was difficult to sustain the tradition as a key feature of community life during and after the economic boom: the eclipse of public culture, the decline of public mourning and the development of commercial leisure and mass culture all served to deprive it of meaning. Although intellectuals, politicians and ex-partisans reacted to this situation, the visual and rhetorical languages associated with the commemoration of the Resistance became increasingly divorced from everyday life and dominant social values.
- Type
- Articles
- Information
- Copyright
- Copyright © Association for the study of Modern Italy
References
Notes
1. Scoppola, Pietro, 25 aprile. Liberazione, Einaudi, Turin, 1995; Rusconi, Gian Enrico, Resistenza e postfascismo, Il Mulino, Bologna, 1995.Google Scholar
2. Scoppola, , 25 aprile, p. 6.Google Scholar
3. Rusconi, , Resistenza, p. 7.Google Scholar
4. De Luna, Giovanni and Revelli, Marco, Fascismo antifascismo: le idee, le identità La Nuova Italia, Florence, 1995.Google Scholar
5. Serneri, Simone Neri, ‘A Past to be Thrown Away? Politics and History in the Italian Resistance’, Contemporary European History, 4 (3), 1995, pp. 367–81.Google Scholar
6. De Felice, Renzo, Il rosso e il nero, interview with Pasquale Chessa, Baldini & Castoldi, Milan, 1995; della Loggia, Ernesto Galli, ‘La morte della patria. La crisi dell'idea di nazione dopo la seconda guerra mondiale’, in Spadolini, Giovanni (ed.), Nazione e nazionalità in Italia, Laterza, Rome–Bari, 1994, pp. 125–61. See also della Loggia, Galli, La morte della patria, Laterza, Rome–Bari, 1996.Google Scholar
7. Pavone, Claudio, Una guerra civile. Saggio storico sulla moralità nella Resistenza, Bollati Boringhieri, Turin, 1991.Google Scholar
8. See Serneri, , ‘A Past’.Google Scholar
9. Mosse, George L., La nazionalizzazion e delle masse, Il Mulino, Bologna, 1975; Fallen Soldiers: Reshaping the Memory of the World Wars, Oxford University Press, New York–Oxford, 1990; Emilio Gentile, Il Culto del Littorio, Laterza, Rome–Bari, 1993.Google Scholar
10. This body of literature is now large. For the purposes of this article, reference has been made above all to Gillis, John R. (ed.), Commemorations : The Politics of National Identity, Princeton University Press, Princeton, 1994 and Winter, Jay, Sites of Memory, Sites of Mourning: The Great War in European Cultural History, Cambridge University Press, Cambridge, 1995 as well as Mosse, Fallen Soldiers. Google Scholar
11. Tobia, Bruno, Una patria per gli italiani: spazi, itinerari, monumenti nell'Italia unita (1870–1900), Laterza, Rome–Bari, 1991.Google Scholar
12. On the Fiume episode, see Ledeen, Michael, D'Annunzio a Fiume, Laterza, Rome–Bari, 1975.Google Scholar
13. See Isnenghi, Mario, L'Italia in piazza: i luoghi della vita pubblica dal 1848 ai nostri giorni, Mondadori, Milan, 1994.Google Scholar
14. Winter, , Sites of Memory, p. 9.Google Scholar
15. Isnenghi, Mario, Le guerre degli italiani: parole, immagini, ricordi 1848–1945, Mondadori, Milan, 1989, pp. 352–3.Google Scholar
16. Winter, , Sites of Memory, p. 2.Google Scholar
17. See Galmozzi, Luciano, Monumenti alla libertà: antifascismo, Resistenza e pace nei monumenti italiani dal 1945 al 1985, La Pietra, Milan, 1986.Google Scholar
18. Gillis, , Commemorations, p. 12.Google Scholar
19. Dogliani, Patrizia, ‘Monumenti alla Resistenza: Bologna e il suo territorio’, in La premiata Resistenza: Concorsi d'arte nel dopoguerra in Emilia–Romagna, Grafis, Bologna, 1995, p. 28.Google Scholar
20. On this problem, see Brunetta, Gian Piero (ed.), Cinema, storia, resistenza 1944–1985, Franco Angeli, Milan, 1987.Google Scholar
21. On this point see Monticelli, Simona, ‘National Identity and the Representation of Italy at War: The Case of Combat film’ in this volume.Google Scholar
22. Sorlin, Pierre, ‘Di qua e al di là delle Alpi: com'è stata rappresentata la Resistenza’, in Brunetta, , Cinema, storia, resistenza, pp. 60–3.Google Scholar
23. Dogliani, , ‘Monumenti’, p. 24.Google Scholar
24. Ginsborg, Paul, ‘Resistenza e riforma in Italia e in Francia, 1943–18’, Ventesimo secolo, 2 (5–6), 1992, p. 298.Google Scholar
25. Isnenghi, Mario, L'Italia in piazza, pp. 374–6.Google Scholar
26. Di Loreto, Pietro, Togliatti e la ‘doppiezza’: Il PCI tra democrazia e insurrezione 1944–49, Il Mulino, Bologna, 1991, pp. 325–50.Google Scholar
27. Many of the paintings referred to in this article are contained in a CD-ROM available in a package with Luisa Cigognetti, Servetti, Lorenza and Sorlin, Pierre (eds), L'immagine della resistenza in Europa: 1945–1960: letteratura, cinema, arti figurative, Il Nove, Bologna, 1996. An earlier version of the present article is included in that volume.Google Scholar
28. See Ajello, Nello, Intellettuali e PCI 1944–58, Laterza, Rome–Bari, 1979, chapter 8.Google Scholar
29. Marino, Giuseppe Carlo, Autoritratto di un PCI staliniano 1946–53, Riuniti, Rome, 1991, pp. 190–5. See also Wilson, Sarah, ‘Art and the Politics of the Left in France 1935–55’, unpublished PhD thesis, Courtauld Institute of Art, University of London, 1991.Google Scholar
30. Deggiovanni, Piero, ‘Arte e Resistenza in Emilia–Romagna', paper presented at the conference, ‘L’immagine della Resistenza in Europa’, Istituto regionale Ferruccio Parri, Bologna (May 1995).Google Scholar
31. One such painter features in Carlo Castellaneta's novel Una lunga rabbia, Feltrinelli, Milan, 1961.Google Scholar
32. Celant, Germano, ‘In Total Freedom: Italian Art, 1943–1968’, in Celant, Germano (ed.), The Italian Metamorphosis 1943–1968, Guggenheim Museum, New York, 1994, p. 5.Google Scholar
33. De Marchis, Giorgio, ‘L'arte in Italia dopo la seconda guerra mondiale’, in Zeri, Federico (ed.), Storia dell'arte italiana, part 2, Dal Medioevo al Novecento, III, Il Novecento, Einaudi, Turin, 1982, p. 558.Google Scholar
34. Dogliani, , ‘Monumenti’, pp. 25–34.Google Scholar
35. Scoppola, , 25 aprile, pp. 15–16.Google Scholar
36. On the relationship between left-wing culture and mass culture, see Gundle, Stephen, I comunisti italiani tra Hollywood e Mosca: la sfida della cultura di massa (1943–91), Giunti, Florence, 1995; English edn, Duke University Press, Durham, NC, 2000.Google Scholar
37. Barthes, Roland, Mythologies (Editions du Seuil, Paris, 1957); Dorfles, Gillo, Simbolo comunicazione consumo, Einaudi, Turin, 1962.Google Scholar
38. Sorlin, , ‘Di qua e al di là delle Alpi’, pp. 67–8.Google Scholar
39. Deggiovanni, , ‘Arte e Resistenza’, p. 3.Google Scholar
40. Deggiovanni, , ‘Arte e Resistenza’, p. 3.Google Scholar
41. Ellwood, David and Bravo, Anna, ‘Oral history and Resistance History in Italy’, in Thompson, Paul (ed.), Our Common History: The Transformation of Europe, Pluto, London, 1982, pp. 289–90.Google Scholar
- 12
- Cited by