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FILM, POPULAR ENTERTAINMENT, AND THE MELTING POT THROUGH THE LENS OF MODERNIST CULTURE

Published online by Cambridge University Press:  11 July 2013

DANIEL J. SINGAL
DANIEL J. SINGAL*
Affiliation:
Department of History, Hobart and William Smith Colleges E-mail: [email protected]
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Abstract

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Type
Review Essays
Information
Modern Intellectual History , Volume 10 , Issue 2 , August 2013 , pp. 489 - 501
Copyright
Copyright © Cambridge University Press 2013 

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References

1 Bradbury, Malcolm and McFarlane, James, eds., Modernism: 1890–1930 (New York, 1976)Google Scholar; Gay, Peter, Freud, Jews and Other Germans: Masters and Victims in Modernist Culture (New York, 1978)Google Scholar.

2 Kaplan, E. Ann, “Introduction,” in Kaplan, , ed., Postmodernism and Its Discontents: Theories, Practices (New York, 1988), 1–4Google Scholar.

3 see www.msa.press.jhu.edu/about/index.html.

4 Trilling, Lionel, Beyond Culture: Essays on Literature and Learning (New York, 1968), 3, 19–25Google Scholar.

5 Davies, Margaret, “Modernity and Its Techniques,” in Chefdor, Monique, Quinones, Ricardo and Wachtel, Albert, eds., Modernism: Challenges and Perspectives (Urbana, IL, 1986), 146–58, 153Google Scholar.

6 Although Wilson doesn't mention it, this notion of a continuous interchange among cultures, especially those tied to ethnic groups, bears a strong resemblance to David A. Hollinger's concept of “cosmopolitanism.” See Hollinger, , In the American Province: Studies in the History and Historiography of Ideas (Bloomington, IN, 1985), 59Google Scholar.

7 James, Henry, The American Scene, ed. Auden, W. H. (New York, 1946), 138–9Google Scholar.