RECOVERING THE FULL PALETTE OF POSSIBILITIES FOR WILHELMINE GERMANY 1890–1914: A NEW GERMAN SPECIAL WAY?

Extract

Kevin Repp, Reformers, Critics, and the Paths of German Modernity: Anti-politics and the Search for Alternatives, 1890–1914 (Cambridge, MA: Harvard University Press, 2000)

Suzanne Marchand and David Lindenfeld, eds., Germany at the Fin de Siecle: Culture, Politics, and Ideas (Baton Rouge: Lousiana State University Press, 2004)

As in the colorization of old black-and-white films, large swaths of modern German history have been undergoing a major makeover through full-spectrum, high-definition re-colorization. Stark black and white—and in between steely gray-on-gray—hardly suffice any longer for representing the full spectrum of the German past in its manifold formations and transformations. As compellingly set forth in the two works reviewed here, this changing retrospective view of change itself is revamping the history of the Wilhelmine Reich of 1890–1914. And just as in the colorization of old films, this shift has the uncanny parallax effect of making a bygone period-piece seem somehow closer to our sensibly “more modern” present-day world—even while the earlier period is also plainly lodged in a distant timeframe. The new history has some very interesting and unsettling special effects and nowhere do they come into play more palpably than in treating the special “German question” in relation to the larger question of Western mainstream modernity.