Colonial Hong Kong as a Cultural-Historical Place

Abstract

In July 1997, when Hong Kong reverted to Chinese sovereignty, this former British colony became a new kind of place: a Special Administrative Region (SAR) of the People's Republic of China (PRC). In the several years leading up to the 1997 transition, a sudden outpouring of Mainland Chinese scholarship stressed how Hong Kong had been an inalienable part of China since ancient times. Until then, however, Hong Kong had rarely figured in Mainland Chinese scholarship. Indeed, Hong Kong suffered from what Michael Yahuda has called a “peculiar neglect”: administered by the British but claimed by China, it was “a kind of bureaucratic no-man's land.” Only one university in all of China had a research institute dedicated primarily to studying Hong Kong. As part of this new “Hong Kong studies” (Xianggangxue), in 1997 China's national television studio produced two multi-episodic documentaries on Hong Kong: “One Hundred Years of Hong Kong” (Xianggang bainian) and “Hong Kong Vicissitudes” (Xianggang cangsang). The studio also produced two shorter documentaries, “One Hundred Points about Hong Kong” (Xianggang baiti) and “The Story of Hong Kong” (Xianggang de gushi). The “Fragrant Harbor” that PRC historians had generally dismissed as an embarrassing anachronism in a predominantly postcolonial world suddenly found its way into millions of Mainland Chinese homes.