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Congregational Music

Published online by Cambridge University Press:  30 August 2024

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‘It is most important that when the faithful assist at the sacred ceremonies … they should not be merely detached and silent spectators, but, filled with a deep sense of the beauty of the liturgy, they should sing alternately with the clergy or the choir, as it is prescribed.’

(Pius XI. Divini Cultus, §9.)

Music, to be suitable for congregational use, must clearly possess certain distinguishing qualities, which it will be wise to try and define at the outset. Firstly it must be simple. Even in parishes where no prejudice against congregational singing exists to be overcome, it is necessary both to avoid the discouragement caused by attempting music too elaborate mclodically, too complex rhythmically, or of too great vocal compass; and to avoid, even worse, complacency in the unworthy performance of too difficult works. Secondly, it should be sufficiently appreciable in terms of current musical idioms to embody the virtues of popularity.

Type
Research Article
Copyright
Copyright © 1958 Provincial Council of the English Province of the Order of Preachers