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Third Cinema in Latin America: Critical Theory in Recent Works

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AREITO. Special issue, “Nuevo cine latinoamericano.” Volume 10, Number 37 (1984). (Pp. 68.)
THE CUBAN IMAGE: CINEMA AND CULTURAL POLITICS IN CUBA. By CHANANMICHAEL. (Bloomington: Indiana University Press, 1985. Pp. 314. $35.00 cloth, $12.95 paper.)
DIALECTICA DEL ESPECTADOR. By ALEATOMAS GUTIERREZ. (Havana: Ediciones Unión, 1982. Pp. 75).

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Published online by Cambridge University Press:  12 October 2022

Cynthia Ramsey
Cynthia Ramsey*
Affiliation:
Louisiana State University
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Abstract

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Type
Review Essays
Information
Latin American Research Review , Volume 23 , Issue 1 , 1988 , pp. 266 - 285
Copyright
Copyright © 1988 by Latin American Research Review

Footnotes

∗

Thanks to a grant from the National Endowment for the Humanities, I was able to screen films from the UCLA Instructional Media Library in preparation for this review essay.

References

ARISTOTLE 1981 Poetics: A Translation and Commentary for Students of Literature. Translated by L. Golden, commentary by Hardison, O. B. Gainesville: University Presses of Florida.Google Scholar
Butler, C. 1984 Interpretation, Deconstruction, and Ideology. Oxford: Clarendon Press.Google Scholar
Scott, R. 1978 “The Arrival of the Instrument in Flesh and Blood: Deconstruction in Littín's The Promised Land.'” Cine-Tracts 1, no. 4:81–97.Google Scholar
West, D. 1983 “Latin American Film Studies: Some Recent Anthologies.” LARR 18, no. 1:179–88.Google Scholar