Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-30T18:51:58.090Z Has data issue: false hasContentIssue false

Genre and second-language academic writing

Published online by Cambridge University Press:  03 June 2014

Brian Paltridge*
Affiliation:
University of Sydney, [email protected]

Extract

The term ‘genre’ first came into the field of second-language (L2) writing and, in turn, the field of English for specific purposes (ESP) in the 1980s, with the research of John Swales, first carried out in the UK, into the introduction section of research articles. Other important figures in this area are Tony Dudley-Evans, Ann Johns and Ken Hyland, who have argued for the value of genre in the teaching of L2 academic writing. ESP genre analysis is a development of text linguistics and the description of academic genres, moving from a focus on lexicogrammatical features to rhetorical moves and, later, to a focus on rhetorical context (see Swales 2001 for a review). Systemic functional genre analysis (typically called the ‘Sydney school’) is a development of research such as that of Longacre (1976) and Labov & Waletzky (1967) and their analyses of the discourse structures of texts. Jim Martin and Joan Rothery are two important figures in the early development of systemic functional genre analysis; their work became the basis for the Disadvantaged Schools Project in Sydney (see Rose & Martin 2012 for a history). As an approach to the teaching of writing, genre-based pedagogy came into prominence in the US, in part as a response to process writing, which, it was felt, did not realistically prepare students for the demands of writing in academic contexts (Horowitz 1986). Genre-based pedagogy in Australia has a similar history and was a reaction to whole language and process writing, which were dominant in the teaching of writing in Australian schools at the time.

Type
Research Timeline
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Artemeva, N. (2008). Toward a unified theory of genre learning. Journal of Business and Technical Communication 22, 160185.Google Scholar
Artemeva, N. & Freedman, A. (eds.) (2008). Rhetorical genre studies and beyond. Winnipeg: Inkshed Publications.Google Scholar
Bawarshi, A. & Reiff, M. J. (2010). Genre: An introduction to history, theory, research, and pedagogy. West Lafayette, IN: Parlor Press.Google Scholar
Feez, S. (1998). Text-based syllabus design. Sydney: National Centre for English Language Teaching and Research, Macquarie University.Google Scholar
Freedman, A. & Medway, P. (eds.) (1994). Genre and the new rhetoric. London: Taylor & Francis.Google Scholar
Horowitz, D. (1986). Process not product: Less than meets the eye. TESOL Quarterly 20, 445–461.Google Scholar
Hyland, K. (2004). Genre and second language writing. Ann Arbor, MI: The University of Michigan Press.Google Scholar
Hyland, K. (2007). Genre pedagogy: Language, literacy and L2 writing instruction. Journal of Second Language Writing 16, 148164.CrossRefGoogle Scholar
Hyland, K. (2013). Genre and discourse analysis in language for specific purposes. In Chapelle, C. (ed.), The encyclopaedia of applied linguistics. Oxford: Wiley-Blackwell.Google Scholar
Labov, W. & Waletzky, J. (1967). Narrative analysis. In Helm, J. (ed.), Essays on the verbal and visual arts. Seattle, WA: University of Washington Press, 12–44.Google Scholar
Longacre, R. E. (1976). Narrative versus other discourse genres. In Brend, R. (ed.), Advances in tagmemics. Amsterdam: North Holland, 357–376.Google Scholar
Paltridge, B. (2001). Genre and the language learning classroom. Ann Arbor, MI: University of Michigan Press.CrossRefGoogle Scholar
Paltridge, B. (2007). Approaches to genre in ELT. In Cummins, J. & Davison, C. (eds.), The handbook of English language teaching. Volume 2. Norwell, MA: Springer, 931943.CrossRefGoogle Scholar
Paltridge, B. (2013). Genre and English for specific purposes. In Paltridge, B. & Starfield, S. (eds.), Handbook of English for specific purposes. Malden, MA: Wiley-Blackwell, 347366.Google Scholar
Rose, D. (2012). Genre in the Sydney school. In Gee, J. P. & Handford, M. (eds.), The Routledge handbook of discourse analysis. London: Routledge, 209225.Google Scholar
Rose, D. & Martin, J. R. (2012). Learning to write/reading to learn: Genre, knowledge and pedagogy in the Sydney school. London: Equinox.Google Scholar
Swales, J. M. (2001). EAP-related linguistic research: An intellectual history. In Flowerdew, J. & Peacock, M. (eds.), Research perspectives on English for academic purposes. Cambridge: Cambridge University Press, 4254.Google Scholar
Swales, J. M. (2011). Coda: Reflections on the future of genre and L2 writing. Journal of Second Language Writing 20, 8385.Google Scholar
Tardy, C. M. (2006). Researching first and second language genre learning: A comparative review and a look ahead. Journal of Second Language Writing 15, 79101.Google Scholar
Tardy, C. M. (2011a). Genre analysis. In Hyland, K. & Paltridge, B. (eds.), Continuum companion to discourse analysis. London: Continuum, 5468.Google Scholar
Tardy, C. M. (2011b). ESP and multi-method approaches to genre analysis. In Belcher, D., Johns, A. M. & Paltridge, B. (eds.), New directions in English for specific purposes research. Ann Arbor, MI: University of Michigan Press, 145173.Google Scholar
Tardy, C. M. (2011c). The history and future of genre in second language writing: A North American perspective. Journal of Second Language Writing 20, 15.CrossRefGoogle Scholar