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Variability of spatial frames of reference in wayfinding discourse on commercial signboards
Published online by Cambridge University Press: 17 August 2005
Abstract
This study focuses on the everyday use of spatial frames of reference (FoR) and seeks to elucidate the underlying principles for guiding viewers from a signboard to a destination. Using Levinson's tripartite typology of FoR – absolute, relative, and intrinsic – and a VARBRUL analysis, it is shown that each FoR is differentially preferred depending on distinct geographic features of the route and the environment. Specifically, as geographic scale and route complexity increase, there emerges a general tendency away from intrinsic descriptions, through relative descriptions, to absolute descriptions, despite the general low usage of the absolute FoR in modern Japanese. It is argued that the asymmetries in the shift and maintenance of FoRs could be largely, if not wholly, accounted for by using such strategies as “single-perspective” and “absolute-reliance” and properties of “untranslatability.”I wish to thank Shoji Takano, Akiko Kato, and Hiroki Yoshioka for their invaluable comments on the earlier versions of the paper and their technical support on the VARBRUL analyses. My gratitude extends to Jane Hill and the two anonymous reviewers for giving me supportive comments and new insights, and to Hisashi Miura for his extensive assistance in the data collection and coding process. I also greatly benefited from interviews with senior employees at Sankoo Advertising Co., Cutting Kei, and Toyota Kookoku, and from various comments and inquiries from participants in the 11th Meeting of the Japanese Association of Sociolinguistic Sciences, the 37th SIG-SLUD Meeting of the Japanese Society of Artificial Intelligence, and the 28th Open Symposium: “Language” at Aichi University. The research for this article was supported by a Grant-in-Aid for Scientific Research (C) (No. 12610566), 2000–2003 (Japanese Ministry of Education, Science, Sports, and Culture). All misconceptions and errors are of course my own.
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- © 2005 Cambridge University Press
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