Published online by Cambridge University Press: 10 November 2022
This article examines struggles related to the recasting of the collective memory connected to Danish colonialism, through analyses of exhibitions in, and communication from, the Danish National Museum. By use of multimodal and semiotic landscape analysis, we show how the Danish National Museum works to reformulate the historical relationship between Greenland and Denmark in ways that avoid the colonizer's language and at the same time describe and construct complex relations of past and present. The analysis demonstrates how a temporal ambiguity is present in the museum exhibitions, not offering a conclusive understanding of the colonial period. At the same time, we show how the presence and absence of colonial language in public space is inscribed into temporal frames legitimizing or problematizing their status. (Semiotic landscape, colonialism, language and nation, temporality)*
We would like to thank Michelle Lazar for putting together this special issue, and for commenting on earlier versions of our article. We are also indebted to Susan Erlich and Tommaso Milani and two anonymous reviewers for very helpful suggestions and critique. Finally, many thanks also go to Janus Spindler Møller for reading and discussing this article with us.