Hostname: page-component-745bb68f8f-kw2vx Total loading time: 0 Render date: 2025-01-12T10:17:51.459Z Has data issue: false hasContentIssue false
  • English
  • Français

Unlimited Replays. By William Gibbons. Oxford: Oxford University Press, 2018.

Published online by Cambridge University Press:  17 August 2020

Elizabeth Hambleton
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 14 , Issue 3 , August 2020 , pp. 366 - 369
Copyright
Copyright © The Society for American Music 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Donnelly, K. J., Gibbons, William, and Lerner, Neil, eds. Music in Video Games: Studying Play (New York: Routledge, 2014)CrossRefGoogle Scholar; Cheng, William, Sound Play: Video Games and the Musical Imagination (Oxford: Oxford University Press, 2014)CrossRefGoogle Scholar.

2 Austin, Michael, Music Video Games: Performance, Politics, and Play (New York: Bloomsbury Academic, 2016)Google Scholar; Collins, Karen, Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design (Cambridge: MIT Press, 2008)CrossRefGoogle Scholar; Collins, Karen, Playing with Sound: A Theory of Interacting with Sound and Music in Video Games (Cambridge: MIT Press, 2013)CrossRefGoogle Scholar.

3 Katz, Mark, Capturing Sound: How Technology has Changed Music, rev. ed. (Berkeley: University of California Press, 2010), 174, 154CrossRefGoogle Scholar.