Hostname: page-component-6bf8c574d5-2jptb Total loading time: 0 Render date: 2025-03-02T21:25:37.720Z Has data issue: false hasContentIssue false
  • English
  • Français

Dangerous. By Susan Fast . 33 1/3 Series. New York: Bloomsbury, 2014.

Published online by Cambridge University Press:  16 May 2017

Eric Smialek
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 11 , Issue 2 , May 2017 , pp. 232 - 235
Copyright
Copyright © The Society for American Music 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Théberge's comments were part of the summary that accompanied Susan Fast's IASPM-Canada book prize (2016) awarded for Dangerous.

2 See, for instance, Susan Fast, “A Critical Edition of Johannes de Muris’ Musica Speculativa,” Ph.D. diss., University of Iowa, 1990; idem., “Bakhtin and the Discourse of Late Medieval Music Theory,” Plainsong and Medieval Music 5, no. 2 (Fall 1996): 175–91; and idem., “God, Desire and Musical Narrative in the Isorhythmic Motet,” Canadian University Music Review 18, no. 1 (1997): 19–37.

3 For discussions of notational centricity (Philip Tagg's term), see Tagg, KOJAK, 50 Seconds of Television Music: Toward the Analysis of Affect in Popular Music (Göteborg: Studies from the Department of Musicology, 1979), 28; Brackett, David, Interpreting Popular Music (Berkeley: University of California Press, [1995] 2000), 27–28 CrossRefGoogle Scholar; and Middleton, Richard, Studying Popular Music (Philadelphia, PA: Open University Press, 1990), 104–6Google Scholar.