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Crosscurrents: American and European Music in Interaction, 1900–2000. Edited by Felix Meyer , Carol J. Oja , Wolfgang Rathert , and Anne C. Shreffler . Woodbridge and Rochester: Boydell, 2014.

Published online by Cambridge University Press:  16 May 2017

Jessica Payette
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Type
Book Review
Information
Journal of the Society for American Music , Volume 11 , Issue 2 , May 2017 , pp. 223 - 226
Copyright
Copyright © The Society for American Music 2017 

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References

1 Corn, Wanda, The Great American Thing: Modern Art and National Identity, 1915–1935 (Berkeley: University of California Press, 1999)Google Scholar.

2 Beal, Amy C., New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification (Berkeley: University of California Press, 2006)CrossRefGoogle Scholar; Iddon, Martin, New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez (Cambridge: Cambridge University Press, 2013)CrossRefGoogle Scholar.

3 Cohen, Brigid, Stefan Wolpe and the Avant-Garde Diaspora (Cambridge: Cambridge University Press, 2012), 3 CrossRefGoogle Scholar.