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Published online by Cambridge University Press: 01 November 2007
1 Dave Hickey, Air Guitar: Essays on Art & Democracy (Los Angeles: Art Issues Press, 1997), 54.
2 Ibid., 59.
3 Barbara Ching, Wrong's What I Do Best: Hard Country Music and Contemporary Culture (New York: Oxford University Press, 2001).
4 For a brief attempt to answer this question, see the last few pages of my essay “Analyzing Popular Music: Ten Apothegms and Four Instances,” in Analyzing Popular Music, ed. Allan Moore, 16–38 (Cambridge: Cambridge University Press, 2003).
5 Carl Dahlhaus, Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley: University of California Press, [1980] 1989).
6 Christopher Small, Musicking: The Meanings of Performing and Listening (Hanover, N.H.: Wesleyan University Press, 1998), 49.