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Review - Marissen Michael, The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. Princeton, Princeton University Press, 1995. xiv + 150 pp. ISBN 0 691 03739 6. - Bach Perspectives I, edited by Stinson Russell. Lincoln, Nebraska, and London, University of Nebraska Press, 1995. xii + 270 pp. ISBN 0 8032 1042 6.

Published online by Cambridge University Press:  01 January 2020

David Humphreys
David Humphreys*
Affiliation:
University of Wales, Cardiff
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Type
Reviews
Information
Journal of the Royal Musical Association , Volume 122 , Issue 1 , 1997 , pp. 127 - 132
Copyright
Copyright © 1997 Oxford University Press

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References

1 Dreyfus, Laurence, Bach's Continuo Group. Players and Practices in his Vocal Works, Studies in the History of Music, 3 (Cambridge, MA, 1987)Google Scholar

2 Boyd, Malcolm, Bach. The Brandenburg Concertos (Cambridge, 1993), 59–70.Google Scholar

3 Marissen, Michael, ‘J. S. Bach's Brandenburg Concertos as a Meaningful Set’, Musical Quarterly, 77 (1993), 193–235.Google Scholar

4 Bach-Dokumente, ed Werner Neumann and Hans Joachim Schulze (Kassel and Basle, 1969), ii. 352, Ursula Kirkendale, ‘The Source for Bach's Musical Offering The Institutio oratoria of Quintilian’, Journal of the American Musicological Society, 33 (1980), 88–141Google Scholar

5 Humphreys, David, ‘More on the Cosmological Allegory in Bach's Goldberg Variations’, Soundings, 12 (1985), 25–45Google Scholar