No CrossRef data available.
Article contents
Nicholas Cook, Music, Imagination, and Culture. Oxford, Clarendon Press, 1990. vi + 265 pp. ISBN 0 19 816154 9
Review products
Nicholas Cook, Music, Imagination, and Culture. Oxford, Clarendon Press, 1990. vi + 265 pp. ISBN 0 19 816154 9
Published online by Cambridge University Press: 01 January 2020
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Reviews
- Information
- Copyright
- Copyright © Royal Musical Association, 1992
References
1 Barthes, Roland, Elements of Semiology (New York, 1967), 10Google Scholar
2 For further discussion of the protocol for composing variation sets in the eighteenth century, see Leonard G Ratner, Classic Music Expression, Form, and Style (New York, 1980), 255–9Google Scholar
3 The most recent elaboration of this tripartition is in Jean-Jacques Nattiez's Music and Discourse Toward a Semiology of Music (Princeton, 1990), 10–16Google Scholar
4 Edward T Cone, ‘Words into Music The Composer's Approach to the Text’, Sound and Poetry, ed Northrop Frye, English Institute Essays 1956 (New York, 1957), 9Google Scholar
5 Kramer, Lawrence, Music and Poetry The Nineteenth Century and After (Berkeley, 1984)Google Scholar
6 For further discussion of this point as it applies to the reading of literary works, see Eagleton, Terry, The Ideology of the Aesthetic (Oxford, 1990)Google Scholar
7 See Bent, Ian D, ‘The “Compositional Process” in Music Theory 1713–1850’, Music Analysis, 3 (1984), 29–55Google Scholar