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Robert Samuels, Mahler's Sixth Symphony: A Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis. Cambridge, Cambridge University Press, 1995 xv + 175 pp. ISBS 0 921 48166 X.

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Robert Samuels, Mahler's Sixth Symphony: A Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis. Cambridge, Cambridge University Press, 1995 xv + 175 pp. ISBS 0 921 48166 X.

Published online by Cambridge University Press:  01 January 2020

Eero Tarasti
Eero Tarasti*
Affiliation:
University of Helsinki
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Information
Journal of the Royal Musical Association , Volume 123 , Issue 1 , 1998 , pp. 122 - 127
Copyright
Copyright © Royal Musical Association, 1998

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References

1 For example, Karbusicky, Vladimir, Grundriß der musikalischen Semantik (Darmstadt, 1986); Jean-Jacques Nattiez, Music and Discourse: Toward a Semiology of Music (Princeton, 1990); V. Kofi Agawu, Playing with Signs: A Semiotic Interpretation of Classic Music (Princeton, 1991); Raymond Monelle, Linguistics and Semiotics in Music (New York, 1992); Robert S. Hatten, Musical Meaning: Markedness, Correlation, and Interpretation (Bloomington, 1995).Google Scholar

2 Nattiez, Jean-Jacques, ‘From Taxonomic Analysis to Stylistic Characterization: Debussy's Syrinx’, Actes du ler congrès international de sémiotique musicale, Beograd, 17-21 octobre 1973, ed. Gino Stefani (Pesaro, 1975), 83–110.Google Scholar

3 See Sebcok, Thomas A., Semiotics in the United States (Bloomington, 1991).Google Scholar

4 Abbate, Carolyn, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton, 1991); Anthony Newcomb, ‘Narrative Archetypes and Mahler's Ninth Symphony’, Music and Text: Critical Inquiries, ed. Steven Paul Scher (Cambridge, 1992), 118–36.Google Scholar

5 Roman Jakobson and Claude Lévi-Strauss, ‘Charles Baudelaire's “Les chats”’, Structuralism: A Reader, ed. Michael Lane (London, 1970), 202–21.Google Scholar

6 Fred Lerdahl and Ray Jackendoff, A Generative Theory of Tonal Music (Cambridge, MA, 1985).Google Scholar

7 Barthes, Roland, S/Z (Paris, 1970).Google Scholar

8 Lidov, David, Musical Structure and Musical Significance, Part I (Toronto, 1980).Google Scholar

9 See, for example, Algirdas Julien Greimas and Joseph Courtès, Sémiotique: Dictionnaire raisonné de la théorie du langage (Paris, 1979), and Vladimir Propp, Morphology of the Folktale, trans. Laurence Scott (Bloomington, 1958).Google Scholar

10 Stcfani, Gino, Introduzione alla semiotica della musica (Palermo, 1976).Google Scholar

11 Ortoli, Cécile, ‘L'érotisme musical ou le sujet de la musique’ (Ph.D. dissertation, University of Nice Sophia Antipolis, 1995).Google Scholar