Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-27T18:26:02.831Z Has data issue: false hasContentIssue false
  • English
  • Français

Review - Born Georgina, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde, Berkeley, University of California Press, 1995. xv + 390 pp. ISBN 0 520 20216 3.

Published online by Cambridge University Press:  01 January 2020

Simon Emmerson
Simon Emmerson*
Affiliation:
City University, London
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Journal of the Royal Musical Association , Volume 122 , Issue 1 , 1997 , pp. 147 - 151
Copyright
Copyright © 1997 Oxford University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The concept derives from Melanie Klein, Envy and Gratitude and Other Works 1946–1963 (New York, 1977)Google Scholar

2 Serge Gilbaut, How New York Stole the Idea of Modern Art. Abstract Expressionism, Freedom and the Cold War (Chicago, 1983)Google Scholar