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Indica by L. D. Barnett - 10. Annual Report of the Archæological Survey of India, 1922–3. Edited by D. Brainerd Spooner, O.B.E., Ph.D., F.A.S.B. (1923–4. Edited by Sir John Marshall, Kt., C.I.E., M.A., Litt.D., F.S.A.) 13 × 10⅜, xviii + 281 pp., 42 plates ; x + 238 pp., 43 plates. Calcutta: Government of India Central Publication Branch [1925?], 1926. - 11. Memoirs of the Archæological Survey of India. No. 15: The Drawing of Geometric Patterns in Saracenic Art, by E. H. Hankin, M.A., D.Sc. (No. 20 : The Origin and Cult of Tara, by Hirananda Shastri, M.A., M.O.L. No. 27 : The Pageant of King Mindon, by Chas. Duroiselle, M.A.) 13 × 10, iii + 25 + iii pp., 14 plates; i + i + i + 27 + i pp., 4 plates; iii + 16 + iii pp., 15 plates. Calcutta : Government of India Central Publication Branch, 1925. - 12. Travancore Archæological Series. Published under the orders of the Government of Travancore. ‥ By A. S. Ramanatha Ayyar, B.A., M.R.A.S. Vol. v, part ii. 11 × 8¼, pp. 93–190. Trivandrum: Government Press, 1925. - 13. Bibliographies of Indian Art. By Ananda K. Coomaraswamy, D.Sc. (Museum of Fine Arts, Boston.) 11¾ × 8¾, i + i + 54 pp. Boston, Cambridge (Mass.) printed : Harvard University Press, 1925.

Published online by Cambridge University Press:  15 March 2011

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Copyright © The Royal Asiatic Society 1926

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References

1 I believe that Tārā is a Buddhist evolute from Anāhita, and that her consort Avalōkitêśvara was originally Mithra, who was often coupled with Anāhita. In the syncretistic period somewhere about the beginning of our era the Buddhists might easily have adopted the pair Anāhita- Mithra and baptized them into Buddhism, especially in Bactria or Turkestan. They certainly knew them in India, as Kuṣan. coins prove. The peculiar feature of Mithra is his character as a myriad-eyed guardian who serves deliberately as intermediary between mankind and Godhead; and in these points Avalōkita exactly resembles him, and no other deity. Anāhita is already a saviour goddess in Yašt V, 128, where she is described as wearing a crown of stars and carrying a baresma ; she was in some places identified with the planet Venus; and her by-form Nana or Nannaia (perhaps originally different, but certainly identified later with her) appears on Kuṣan coins with a crescent on her forehead, and in her hand sometimes abaresma and sometimes a bow (some coins showing her about to draw an arrow from her quiver). Now the name Tārā means star, though no star ever appears on her images; but she is often connected in cult with the moon (sometimes she has a halo of moonbeams, candrâṃśu-mālinī, sometimes she sits on a moon, candrâsana), and in several of her phases, notably that of Mahācīna-tārā (a cult expressly stated to have been imported from Mahācīna, i.e. Turkestan), she carries a bow, either drawn or brandished. Once adopted, these two deities absorbed various minor cults, and were themselves assimilated to the Buddhist types.