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Published online by Cambridge University Press: 15 March 2011
My appreciation of Indian sculpture is not that of an art historian but of a living sculptor. I shall not therefore attempt to say anything about historical developments or to compare and criticize the characteristics of different periods, but I shall concentrate instead on trying to show some of the great and timeless qualities of Asiatic sculpture which make it as alive and significant for us to-day as it was to its unknown creators.