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An early eighteenth-century Persian blue and white1

Published online by Cambridge University Press:  15 March 2011

Géza Fehérvári
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Extract

It has now generally been accepted that blue and white originated in the Near and Middle East, and that it was these Near Eastern wares that gave the impetus to the development of such wares in porcelain in China. Yet our knowledge of the underglaze-painted blue and white wares of the Near East that may have influenced the Chinese potters is almost non-existent. One could perhaps consider as prototypes the black, blue, and green underglaze-painted vessels of Kāshān and Sulṭānābād of the 13th and 14th centuries, which may have found their way to China after the Mongol invasion of Persia.

Type
Articles
Information
Journal of the Royal Asiatic Society , Volume 102 , Issue 2: Studies in Honour of Sir Mortimer Wheeler , April 1970 , pp. 137 - 141
Copyright
Copyright © The Royal Asiatic Society 1970

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References

2 SirGarner, Harry, Oriental blue and white, London, 1954, 1Google Scholar; “The use of imported cobalt in Chinese blue and white”, Oriental Art, N.S. II, 1956, 48–50Google Scholar; Lane, Arthur, Later Islamic pottery, London, 1957, 24–25Google Scholar.

3 Op. cit., 21–36, 88–101.

4 “Early blue and white in Persian manuscripts”, Transactions of the Oriental Ceramic Society, XIII, 1934–1935, 24Google Scholar.

5 “The interim period in Persian pottery, an essay in chronological revision”, Ars Islamica, V, 1938, 157, 177Google Scholar.

6 Chittick, H. N., “Kilwa: a preliminary report”, Azania, I, 1966, 23–24, pls. XI–XIIGoogle Scholar.

7 Bivar, A. D. H. and Fehérvári, G., “The walls of Tammīsha”, Iran, IV, 1966, 47Google Scholar.

8 In Investigations at Tal-i Iblis (ed. Caldwell, J. R.), Illinois State Museum, Springfield, Ill., 58–60, 91–100, pl. 11 on p. 57Google Scholar.

9 Op. cit., 91–2, 120–1.

10 In an appendix a provisional list of these dated Persian blue and white wares is given. The list is mainly based upon the publications of Ernst Kühnel, Richard Ettinghausen, Arthur Lane, and others, and also on the author's own research.

11 R. Ettinghausen, “Dated faience”, Survey, II, 1671.

12 Survey, VI, pl. 783/a; Lane, op. cit., pl. 77/a.

13 Lane, op. cit., pl. 78/a; Kühnel, Jahrbuch der asiatischen Kunst, I, 1924, 27, fig. 11.

14 Lane, op. cit., pl. 83/b.

15 Survey, VI, pls. 691/a–b, 707/a–b, 733/b; Lane, pl. 84/b, Survey, 736/a, Lane, pl. 86, Survey, 735/b, Lane, pl. 87, Survey, pl. 729, Lane, pl. 90, Survey, pl. 732/a.

16 Bulletin of the American Institute for Persian Art and Archaeology, I/1, 1931, 7; a dated Sulṭānābād piece of 672/1274 is illustrated by Ettinghausen, Ars Islamica, II, fig. 13; also shown in Survey, pl. 781/a.

17 Rice, D. S., The Wade cup, Paris, 1955, 12Google Scholar.

18 Op. cit., 13–4, pl. XIV/b.

19 Lane, op. cit., 98.