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Published online by Cambridge University Press: 15 March 2011
The accompanying reproduction of a picture of a seated Yogī was shown to me by the owner, a resident of Ajmere, but of whose name, unfortunately, I made no note, at Allahabad in 1911. It is of considerable interest, not only as a Mughal portrait of the very finest quality, but as an evidently authentic likeness of a famous Sādhu— the Gosāīṅ Jadrūp—referred to at some length in the Memoirs of Jahāngīr and elsewhere.
page 390 note 1 The emendation “thin” for “weak” has been suggested, but the picture shows that a considerable effort would be required to enter the hole, and on the other hand it is plain that no one not thin could enter it.
page 391 note 1 Martin, F. R., The Miniature Painters and Painting of India, Persia, and Turkey; London, 1912.Google Scholar