Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-26T03:40:05.176Z Has data issue: false hasContentIssue false
  • English
  • Français

The ‘lost’ palimpsest Kyries in the Vatican manuscript Urbinas latinus 602

Published online by Cambridge University Press:  14 July 2009

John Boe
Get access

Extract

Codex MS Urbinas latinus 602 – henceforth ‘Urb 602’ – was brought to the Vatican Library in 1657 with the rest of the library of the Dukes of Urbino. How this carefully written troper-processional was acquired for the Urbino collection is not known. The manuscript is a very small handbook for a soloist, about 15.9 × 9.4 cm., with a writing area about 10 × 5.5 cm. The classical original Beneventana is almost entirely free of mis-spellings and other errors. The abbreviations ĩ (for in), ẽ (for est), nõ (for non), petores (for peccatores), and no (for noster) are found regularly and suggest a date after 1060. The original neumatic notation is precisely diastematic but without added lines or clefs. Liquescents are extensively used, but the quilisma has almost entirely disappeared. Initial letters are coloured simply but handsomely in red, blue, and yellow; and rubrics are tinged with blue. No illuminations de luxe appear: the manuscript was meant for use and shows signs of wear.

Type
Research Article
Information
Journal of the Plainsong & Mediaeval Music Society , Volume 8 , January 1985 , pp. 1 - 24
Copyright
© The Plainsong and Medieval Music Society 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

SELECTIVE BIBLIOGRAPHY

Bannister, Henry Marriott: Monumenti Vaticani di paleografia musicale latina, Codices e Vaticanis selecti phototypice expressi, vol.XII (Leipzig, 1913): No.349, p.122 and Pl.71a; no.370, p.130 Google Scholar
Beneventanum Troporum Corpus, ed. Boe, John and Planchart, Alejandro (Madison, Wisconsin: A-R Editions forthcoming: I and II/1–2 in press)Google Scholar
Bjork, David: ‘The Kyrie Trope’, Journal of the American Musicologlcal Association 39 (1980), pp.1–41 Google Scholar
Blume, Clemens, and Bannister, Henry Marriott: Tropen des Missale im Mittelalter. Tropen zum Ordlnarium Missae, Analecta Hymnica Medii Aevi, vol.XLVII (Leipzig, 1905)Google Scholar
Brown, Virginia: Handlist of Beneventan MSS (vol.II of E.A. Loew: The Beneventan Script, 2nd. edn., 1980)Google Scholar
Iversen, Gunilla, ed.: Tropes de l'Agnus Dei, Corpus Troporum IV, Studia Latina Stockholmensia 26 (Stockholm, 1980): see p.24.Google Scholar
Crocker, Richard: ‘Kyrie eleison’, The New Grove Dictionary of Music & Musicians (London, 1980), vol.10, pp.331–33Google Scholar
Ehrensberger, H.: Bibliothecae Apostolicae Vaticanae Manu Scripti, Urbinates latini, t. II, pp.126–29Google Scholar
Gamber, Klaus: Codices Liturgici Latini Antiquiores, Spicilegii Friburgensis Subsidia, vol.I (Freiburg, Switzerland, 1963, 2nd expanded edn. 1968): see no.480, p.86.Google Scholar
Hiley, David: ‘The Liturgical Music of Norman Sicily: A Study Centred on Manuscripts 288, 289, 19421 and Vitrina 20–4 of the Biblioteca Nacional, Madrid’ (Ph.D. thesis, University of London King's College, 1981)Google Scholar
Hiley, David: ‘Quanto c'è di normanno nei tropari siculo-normanni?’, Rivista italiana di musicologia 18 (1983), pp.3–28 Google Scholar
Husmann, Heinrich: Tropen- und Sequenzenhandschriften, RISM B/V/1 (Munich and Duisburg, 1964): see p. 198.Google Scholar
Loew, Elias Avery: The Beneventan Script: see p.367 in the 1st edn, 1914. 2nd edn. Rome, 1980, ed. Brown, Virginia, and incorporating her Handlist of Beneventan MSS as vol.II.Google Scholar
Melnicki, Margareta: Das einstimmige Kyrie des lateinischen Mittelalters (Erlangen, 1954)Google Scholar
Paléographie musicale. In XIV: Le codex 10673 de la Bibliothèque Vaticane, fonds latin (Solesmes, 1931), see pp.430–31. In XV: Le codex VI.34 de la Bibliothèque Capitulaire de Beéneévent (Tournai, 1937), see p.68.Google Scholar
Planchart, Alejandro: The Repertory of Tropes at Winchester (2 vols., Princeton, 1977): see vol. II, p.349.Google Scholar
Salmon, Pierre: Les manuscrits liturgiques de la Bibliothèque Vaticane (5 vols.), Studi e testi 250, 253, 260, 267, 270 (Rome, 1968–1972): see vol.II, p.87.Google Scholar
Stäblein, Bruno: ‘Kyrie’, Die Musik in Geschichte und Gegenwart (Kassel, 1958-), vol.VII, col.1931–46; ‘Tropus’, (Rome, 1968–1972), vol.XIII, col.797ff.Google Scholar