One of the most influential ideas in Southeast Asian history in recent decades has been Anthony Reid's Age of Commerce thesis, which sees a commercial boom and the emergence of port cities as hubs of commerce over the fifteenth to seventeenth centuries, which in turn spurred political, social and economic changes throughout the region. But how new were the changes described in Reid's Age of Commerce? This paper argues that the four centuries from circa 900 to 1300 CE can be seen as an ‘Early Age of Commerce’ in Southeast Asia. During this period, a number of commercial and financial changes in China, South Asia, the Middle East and within the Southeast Asian region, greatly promoted maritime trade, which induced the emergence of new ports and urban centres, the movement of administrative capitals toward the coast, population expansion, increased maritime links between societies, the expansion of Theravada Buddhism and Islam, increased monetisation, new industries, new forms of consumption and new mercantile organisations. It is thus proposed that the period from 900 to 1300 be considered the Early Age of Commerce in Southeast Asian history.

Previous scholarship on the Hikayat Patani by Andries Teeuw and David Wyatt, and more recently by Davisakd Puaksom, has focused upon the political context of the late seventeenth and early eighteenth centuries that surrounded its authors. In this article, I adopt a different approach by arguing that court intellectuals wrote the Hikayat Patani as a way to re-establish a moral order through writing during a era of political and social collapse. Set within the context of region wide economic decline after 1650, the present study of the Hikayat Patani portrays a society in anguish with comparative possibilities across all of Southeast Asia.

Before 1997 a number of social, political and academic movements combined to present a more negative image of luuk tung (Thai country music) than was warranted and as a result, the genre was understudied. This article identifies the forces that influenced the development of luuk tung's status in Thai society and demonstrates how the rising status of luuk tung since 1997 has influenced recent academic writing by Thai authors. This survey of the voices that speak on luuk tung is grounded by an analysis of the lyrics and melodies of Sorapet Pinyoo, a well-known luuk tung artist.

The United States had a hand in shaping Singapore's labour developments between the period 1955 and 1960. Utilising materials from archives in Britain, the Netherlands and the United States, this study details the impetus for, the nature of, and the outcome of the US attempt to strengthen non-communist labour institutions in Singapore.

This article attempts to fill two gaps in two sets of inter-related historiographies, that of the diplomatic history of Singapore and that of the Vietnam war. For a number of reasons, not much had been published about the foreign policy of Singapore from the historical perspective. The Southeast Asian dimension of the Vietnam war is also starkly missing from the voluminous literature on the war. This article thus tries to describe and explain Singapore's attitude towards the war as it evolved over the ten years — from 1965, when the war really began and which coincided with the year that Singapore became independent, to 1975, a period which overlaps with the first ten years of Singapore's independence. Hopefully, this study will provide an understanding of one aspect of Singapore's foreign policy in its first 10 years as well as offer one Southeast Asian perspective on the Vietnam war.

Six months after the historic August 1999 referendum in which the people of East Timor voted to reject Indonesia's offer of broad autonomy, the newly appointed chief of the United Nations Transitional Administration in East Timor, Sérgio Vieira de Mello, commented to CNN on the enormous challenge of setting the territory on the road to independence: ‘It is a test case, therefore it is even a laboratory case where we can transform utopia into reality. But I think we can try and get it right in the case of Timor.’ After 24 years of brutal military occupation, the suggestion that East Timor was to be a laboratory case for the United Nations might have seemed insulting, the notion of utopia absurd. Hundreds of thousands of people were without housing. Basic infrastructure lay in ruins. Commodities were scarce and those goods available were sold at grossly inflated prices. Eleven thousand foreign troops had arrived to restore security. Tens of thousands of refugees were still living in squalid camps across the border in Indonesian West Timor, many against their will. Nevertheless, Vieira de Mello's statement neatly captured the twin aspirations of the time — the independence long-dreamed of by East Timorese and the opportunity for the United Nations literally to build a state from the ground up. In the same CNN report, East Timorese Nobel Laureate José Ramos-Horta emphasised precisely this point: ‘This is the first instance in the history of the UN that the UN has managed completely an entire country; and they have a [Timorese pro-independence] movement that is very cooperative, they have an exceptional people that's cooperating with them, so they cannot fail. They are condemned to succeed because failure would be disastrous for the credibility of the UN, so they simply cannot afford to fail.’ Utopia, it seems, had become a necessity.

Southeast Asia remains a rich region for students and scholars interested in understanding the place of culture within a variety of human activities. Three recent studies under review, Acts of integration, Bridges to the ancestors and Listening to an earlier Java, particularly demonstrate the ways in which culture plays a pertinent role in the health, performance and music of contemporary Southeast Asians. Although Acts of integration focuses on mental images, Bridges to the ancestors on a festival, and Listening to an earlier Java on musical sound, the studies shared the recognition of the interplay between two opposite yet interactive forces: sacred and secular; inner and outer; order and chaos; male and female. They argue that mental normality, aesthetics and music represent, shape and are shaped by culture characterised by such dichotomous categories. Amidst other studies which try to deconstruct culture as more fluid and hybrid, however, these works serve as a reminder of the place of culture as an underlying persistent force in shaping the views and lives of many Southeast Asian peoples.

The rise of the three great rice-producing and -exporting deltas of mainland Southeast Asia numbers among the most familiar chapters in the modern history of the region. On a macro level, it exemplifies the integration of the region into the North Atlantic-centered world economy during the age of high imperialism and the consequent shock of the depression of the 1930s. On a micro level, that rise has offered historians an opportunity to examine the responses of Southeast Asian cultivators to market signals; the variation in the allocation of factors of production across the Irrawaddy, Chao Phraya and Mekong deltas; and the implications of those responses and that allocation for reactions to the shock of the inter-war crisis. The principal features of the history of the mainland rice economies between 1850 and the 1930s have indeed grown so familiar as to make that history seem like yesterday's topic. Occasional attempts to propose significant revision to the story have had little impact. And the need for a major monograph on the economic history of the Mekong delta during the French colonial period remains unmet.