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Published online by Cambridge University Press: 16 February 2015
1 Transl. Taylor, Th., The dissertations of Maxmus Tyrius (London 1804; ed. H. Hobein 1910) 127–28Google Scholar.
2 Still one of the best collections of photogrpahs of the Aurelian Column was published by Domus Editoriale, Milano, in 1957: G. Becatti (ed.), Colonna di Marco Aurelio.
3 It should be noted here, and with respect to Eisner's paper (see below), that Lehmann-Hartleben, K.. Die Traianssäule (Berlin 1926)CrossRefGoogle Scholar, is subtitled “Ein römisches Kunstwerk zu Beginn der Spätantike”
4 Wegner, M., “Die kunstgeschichtliche Stellung der Markussäule,” Jdl 46 (1931) 61–174 Google Scholar; and Pirson, F., “Style and message in the Column of Marcus Aurelius,” PBSR 64 (1996) 139–79Google Scholar.
5 See the old, often neglected, but still useful work of Will, E., Le relief cultuel gréco-romain (BEFAR 183, 1955)Google Scholar, esp. 125-219 on Mithraic imagery, and 219-55 on frontality.
6 Recent excavations in Trajan's Forum have found no sign of a Temple to the Deified Trajan beyond his Column. If the Temple did not exist, then the skyline between the two Columns might have been open.
7 Hölscher follows the lead of Wegner (supra n.4), Pirson (supra n.4), and Touati, A. M. Leander, The great Trajanic frieze (Stockholm 1987)Google Scholar.
8 See Burke, P., “Context in context,” Common knowledge 8 (2002) 152–77CrossRefGoogle Scholar.
9 See in this context Martin, J.-P., Providentia deorum. Aspects religieux du pouvoir romain (CollEFR 61, 1982) esp. 320–65Google Scholar, on Marcus Aurelius and Commodus.
10 I am currently engaged in writing a book provisionally entitled The concept of style and the problem of Roman art, which will address, inter alia, some of the issues raised here and elsewhere by J. Eisner.