Here I don't take romanticism and theism as mutually exclusive. I include as representative works those which advance the romantic themes without explicit reference to confessional religious concerns; thus, for example, Kierkegaard, Schliermacher, and, more recently, Kass can all be taken as representatives, even though they are also theists. Influential representatives of the romantic position in bioethics might include
Elliott, C.,
A Philosophical Disease: Bioethics, Culture, and Identity (
New York:
Routledge, 1998);
Elliott, C., Better Than Well: American Medicine Meets the American Dream (New York: W. W. Norton and Company, 2004);
Frank, A., The Wounded Storyteller: Body, Illness, and Ethics (Chicago: University of Chicago Press, 1997);
Kass, L., Life, Liberty and the Defense of Dignity: The Challenge for Bioethics (New York: Encounter,
2005);
Leder, D., The Absent Body (Chicago: University of Chicago Press, 1990);
Leder, D., The Soul Knows No Bars: Inmates Reflect on Life, Death and Hope (Lanham, MD: Rowman and Littlefield Publishers, Inc., 2000);
Toombs, K., The Meaning of Illness (Dordrecht: Kluwer Academic Publishers, 1992);
Zaner, R., Ethics and the Clinical Encounter (Englewood Cliffs, NJ: Prentice Hall, 1988); and many others who focus on the “lived body” and the “illness experience,” e.g., those who utilize phenomenological and hermeneutical resources for addressing practical ethical issues. Leon Kass provides an especially interesting example, not just because of his recent leadership role on the President's Council of Bioethics, but because of his long-standing interest in the role and limits of science. The following citation from his earlier Toward a More Natural Science (New York: The Free Press, 1985): at
5–
6, nicely captures a central romantic concern: “The sciences are not only methodologically indifferent to questions of better and worse. Seeking answers only in terms of their deliberatively abstract questions, they find, not surprisingly, their own indifference substantively reflected in the nature of things…. Nature, as seen by our physicists, proceeds deterministically, without purpose or direction, utterly silent on matters of better and worse, and without a hint of guidance as to how we are to live. According to our biological science, nature is indifferent even as between health and disease: Since both healthy and diseased processes obey equally and necessarily the same laws of physics and chemistry, biologists conclude that disease is just as natural as health.” Many advocates of “narrative ethics” could also be placed in this camp. Here it is important to distinguish romantic interest in “narrative” from the naturalist's “biographical narrative.” For narrative ethicists (broadly defined) literary and narrative “tools” are irreducible; we thus find in the moral and creative arts a genuine resource for understanding ourselves and others, and no analytical distinction between biological vs. biographical identity could capture what is meant. In fact, for narrative ethicists, the analytical distinction is itself placed within one particular narrative, e.g., that of a positivist science that seeks to free itself from metaphysical commitments that infect and distort knowledge. A nice review of the debate surrounding narrative ethics can be found in
Clouser, K. D. and
Hawkins, A. H., eds., “Literature and Medical Ethics,” Journal of Medicine and Philosophy
21,
no. 3 (1996); and
Nelson, H., Stories and Their Limits: Narrative Approaches to Bioethics (New York: Routledge, 1997).
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