Resultatives in English and Dutch have developed special degree readings. These readings stem from a reinterpretation of the resultative predicate as indicating a high degree rather than an actual result. For example, when a parent says I love you to death, one need not call the cops, since the sentence is not about love turning lethal, but merely indicative of a high degree of affection. Such cases have often been noted in the literature as idiomatic, but this view ignores the fact that these are not isolated cases but productive constructions that can be used with a variety of verbs. We explore various resultative constructions in English and Dutch, and give a classification of the subtypes involved as well as their diachronic development from ordinary to degree interpretation. We link these subtypes to lexical semantic classes of verbs. Both English and Dutch show a steady growth in the lexical and structural diversity of degree resultatives throughout the early modern and contemporary periods (1600-2000). We focus in our paper on the period 1800-2000, for which we did an extensive corpus study using the Corpus of Historical American English (COHA) and Delpher (a collection of digitized Dutch newspapers, journals, magazines, and other resources). One of our findings is that, similar to other types of expressive language, such as degree modification and emphatic negation, taboo expressions play a role in degree resultatives; in fact, their role is excessive. We outline a number of the commonalities among the semantic domains of expressive language used in resultatives.

This article undertakes the first systematic examination of Frank’s (1979, 1981, 1987, 1990, 2007b, 2008) claim that Old Norse influence is discernible in the language of Beowulf. It tests this hypothesis first by scrutinizing each of the alleged Nordicisms in Beowulf, then by discussing various theoretical considerations bearing on its plausibility. We demonstrate that the syntactic, morphological, lexical, and semantic peculiarities that Frank would explain as manifestations of Old Norse influence are more economically and holistically explained as consequences of archaic composition. We then demonstrate that advances in the study of Anglo-Scandinavian language contact provide strong reasons to doubt that Old Norse could have influenced Beowulf in the manner that Frank has proposed. We conclude that Beowulf is entirely devoid of Old Norse influence and that it was probably composed ca. 700, long before the onset of the Viking Age.