Hostname: page-component-745bb68f8f-b6zl4 Total loading time: 0 Render date: 2025-01-12T19:08:52.085Z Has data issue: false hasContentIssue false
  • English
  • Français

A L'Ecoute Du Langage1Pas touche! Sur un paradigme impossible: essai de régularisation de quelques constructions ‘aberrantes’ par la phono-syntaxe

Published online by Cambridge University Press:  10 October 2008

Marina Yaguello
Marina Yaguello
Affiliation:
Institute of Romance Studies, Senate House, Malet Street, London WCiE 7HU.
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Articles
Information
Journal of French Language Studies , Volume 4 , Issue 1 , March 1994 , pp. 99 - 101
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The editors have decided that it would be advantageous to create space from time to time, alongside its major papers and survey articles, for the publication of short articles describing problems of topical interest concerning the contemporary French language. These articles will be published under the rubric A I'ecoute du langage. The terms of reference will be as follows:

1 the subject-matter will be a description of or comment on an aspect of contemporary French language which is of topical interest;

2 the treatment of the topic should be reasonably original, well illustrated and linguistically informed, but need not have a focus which is primarily theoretical;

3 the article should be pithy and concise, and the normal maximum length will be 2,000 words (approximately four pages ofJFLS).

Marina Yaguello has agreed to offer the following as a model of the genre.