Skip to main content Accessibility help

The Gothic Idol. Ideology and image-making in medieval art. By Michael Camille. (Cambridge New Art History and Criticism.) Pp. xxxiii + 407 incl. 181 ills. Cambridge: Cambridge University Press, 1989. £35. 0 521 34040 3

Published online by Cambridge University Press: 06 February 2009

Meredith Parsons

Show author details

Meredith Parsons: Affiliation:
Syracuse University

Article contents

Abstract

Rights & Permissions

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Type: Reviews
Information: The Journal of Ecclesiastical History , Volume 42 , Issue 3 , July 1991 , pp. 478 - 479

DOI: https://doi.org/10.1017/S0022046900003493 [Opens in a new window]
Copyright: Copyright © Cambridge University Press 1991

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

To send this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

The Gothic Idol. Ideology and image-making in medieval art. By Michael Camille. (Cambridge New Art History and Criticism.) Pp. xxxiii + 407 incl. 181 ills. Cambridge: Cambridge University Press, 1989. £35. 0 521 34040 3

Volume 42, Issue 3
Meredith Parsons ^(a1)
DOI: https://doi.org/10.1017/S0022046900003493

Your Kindle email address

@free.kindle.com @kindle.com (service fees apply)

Available formats PDF

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Reply to: Submit a response

Title * Please enter a title for your response.

Contents * Please enter your response.

Your details

First name * Please enter your first name.

Last name * Please enter your last name.

Please enter a valid email address.

Occupation Please enter your occupation.

Affiliation Please enter any affiliation.

You have entered the maximum number of contributors

Conflicting interests

Do you have any conflicting interests? * Conflicting interests help

Yes No

More information * Please enter details of the conflict of interest or select 'No'.

Please tick the box to confirm you agree to our Terms of use. *

Please accept terms of use.

Please tick the box to confirm you agree that your name, comment and conflicts of interest (if accepted) will be visible on the website and your comment may be printed in the journal at the Editor’s discretion. *

Please confirm you agree that your details will be displayed.