In recent years, scholars have begun to look afresh at the dynamics of English “imperial” power in the late medieval period, but the extent to which the English dominions were subject to English law and legislation––and the questions of why and how these influences varied between the regions and over an extended period of time––have been considered less systematically and rarely comparatively. With its focus on Wales and Ireland, this article explores the synergies and the strains that shaped attitudes towards the authority of the late medieval English crown and that ultimately determined the extent of England's influence beyond its borders. The article shows that these attitudes were often fundamentally conflicted and contradictory. It highlights the difficulties of the English crown in seeking to balance the elitist agenda of its English subjects, on the one hand, with its desire to bring the Welsh and Irish more squarely within the orbit of the English state system, on the other hand. And it shows how the dominions veered between welcoming and resisting the interference of the English crown. The discussion emphasizes how interaction between the English crown and the people of its dominions was shaped above all by dialogue and negotiation.

Recent research has stressed the importance of “popular politics” in English political culture especially after the Peasants' Revolt and during the political disturbances of the fifteenth century. Scholars have begun to explore how the structures of local political culture could inflect the nature of politics on a national level, notably through petitioning and the circulation of open letters and manifestos, thus moving beyond the nobility and gentry to consider the influence on late medieval political life of the society and culture of rural and urban communities that were far from the center of power. This article is a contribution to a growing body of work that aims to show how particular aspects of provincial urban politics affected national political culture. By focusing first on news distribution and contemporary conceptual structures that linked rumor, noise, and riot in one continuum; and by then considering the relationship between communal mobilization at times of political crisis and everyday policing institutions such as the hue and cry, the article investigates how the nature of political life in provincial towns affects our understanding of late medieval English political culture as a whole.

This article examines the religious and political worldview of the Scottish minister John Dury during the English Revolution of the mid-seventeenth century. It argues that Dury's activities as an irenicist and philo-semite must be understood as interrelated aspects of an expansionist Protestant cause that included Britain, Ireland, continental Europe, and the Atlantic world. Dury sought to imitate and counter what he perceived to be the principal strengths of early modern Catholicism: confessional unity, imperial expansion, and the coordination of global missionary efforts. The 1640s and 1650s saw the scope of Dury's long-standing vision grow to encompass colonial expansion in Ireland and America, where English and continental Protestants might work together to fortify their position against Spain and its growing Catholic empire. Both Portuguese Jews and American Indians appear in this vision as victims of Spanish Catholicism in desperate need of Protestant help. This article thus offers new perspectives on several aspects of Dury's career, including his relationship with displaced Anglo-Irish Protestants in London, his proposal to establish a college for the study of Jewish learning and “Oriental” languages, his speculation regarding the Lost Tribes of Israel in America, and his cautious advocacy for the toleration of Jews in England.

Michael Leoni, a leading singer in late eighteenth-century London, became famous for his role in Richard Brinsley Sheridan's anti-Jewish opera The Duenna. He was discovered, however, at the Jewish synagogue, where his singing enthralled non-Jews in the early 1770s. Tracing Leoni's public reception, this article argues that the performative effect of his singing had a multifaceted relation to his audience's psychology of prejudice, serving to both reiterate and reconfigure a variety of preconceptions regarding the Jews. Leoni's intervention through operatic singing was particularly significant––a powerful, bodily manifestation that was capable of transforming listeners while exhibiting the deep acculturation of the singer himself. The ambivalence triggered by his performances would go on to define the public reception of other Jewish singers, particularly that of Leoni's protégé, John Braham, Britain's leading tenor in the early nineteenth century. Ultimately, the experience of these Jews' performances could not be easily deconstructed, as the Jewish performers' voices were emanating from within written, sometimes canonical, musical works. This representational impasse gave rise to a public discourse intent on deciphering their Jewishness, raising questions of interpretation, intention, and confession.

This article examines key themes in the political and intellectual life of E. P. Thompson. It argues for the centrality of romanticism to his work; it focuses on his unfinished study of the early Romantics. Thompson drew parallels between socialist hopes and disappointments of his own day and the reactions of the early romantic poets to the failed promise of the French Revolution. This article charts the trajectory of the early Romantics as they moved from political engagement to retreat, and relates this trajectory to Thompson's own politics. Thompson discerned a pattern whereby intellectuals and artists moved through stages from political engagement to disenchantment and then to “apostasy” or default. Disenchantment could be a productive condition; at issue was how the poet handled the “authenticity of experience,” how disenchantment was dealt with in verse. Both Thompson and the Romantics privileged the concept of “experience” which they set in opposition to abstract theory. The article's final section turns to themes that Thompson had intended to address but left unfinished, including shifting views of patriotism and the defeated cause of women's rights. For Thompson the romantic impulse was ultimately linked to utopian desire, to the capacity to imagine that which is “not yet.”

In October 1934, a Croatian terrorist organization assassinated King Alexander of Yugoslavia in the streets of Marseilles, France. His murder caused an international crisis because of the safe haven given to the group by the Italian and Hungarian governments. The assassination led the world's first peacekeeping body, the League of Nations, to intervene and to propose a legal solution for the political crisis. In November 1937, the league completed two antiterrorism treaties. Only the British colonial government of India ratified the terrorism convention, which was, by contrast, rejected by the United Kingdom on legal and political grounds. This article examines the European origins of the League of Nation's consideration of international terrorism and the divisions that occurred between Delhi and London over supporting the antiterrorism measure. Delhi's separate membership in the League of Nations allowed the colonial government to deviate from London and to sign a treaty deemed necessary for domestic security.