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Horace Walpole and W. S. Lewis
Published online by Cambridge University Press: 16 January 2014
Extract
English literary history is full of the colorful individualists variously referred to as “characters,” “personalities,” or “eccentrics”; and the literary scene in eighteenth-century England had its full share of “originals,” to use Tobias Smollett's term. They ranged from the tendentious clergymen (Conyers Middleton, William Warburton, William Stukeley) to the Grub Street hacks (John Dennis, John Trenchard) to profligate rakehells (Charles Churchill, John Wilkes) and artistocratic dilettantes (the Duke of Chandos, the Earl of Eglinton, and scores more). Though some of these men wrote prodigious amounts — notably Middleton, Warburton, and Dennis — most of them are known today largely because they drew the anger of Alexander Pope and were amberized in The Dunciad or because Dr. Johnson dissected their opinions or because Boswell encountered them in his serendipitous career and recorded the fact in his Journals. A few of them, like Wilkes, were famous or infamous within political or social contexts; these have survived in historical works dealing with Georgian politics. For the most part, however, intellectual historians of the twentieth century are inclined to treat the Warburtons and the Monboddos as a rather bizarre species, now extinct: the overspecialized freaks thrown out by the current of ideological evolution.
For a very long time Horace Walpole has been viewed by many scholarly critics as a similar sort of oddity. His literary productions were so varied, so numerous, and so uneven in quality that he defied placement in a single area of interest. Walpole's own account of his writings in the Short Notes of his life provokes in the reader wonder at a mind at once interested in making Latin verses on the marriage of the Prince of Wales, parodies of Macbeth with political overtones, Fontainesque fables about little white dogs, catalogues of oil paintings, bagatelle verses, vehement periodical essays and pamphlets, scores of cenotaphs for deceased acquaintances, and Historic Doubts on Richard III.
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- Copyright © North American Conference of British Studies 1967
References
1. Lewis, W. S.et al. (eds.), Horace Walpole's Correspondence, XIII-XIV (New Haven, 1948), 3–51Google Scholar.
2. Hazen, A. T., A Bibliography of Horace Walpole (New Haven, 1948)Google Scholar. This volume is in actuality a part of the series on Walpole supervised by W. S. Lewis.
3. J. H. Plumb has recently demonstrated the historian's bias In his article, “Horace Walpole at Yale,” New York Review of Books, IV (Sep. 30, 1965), 9–10Google Scholar.
4. Boswell, James, Life of Johnson (London, 1960), p. 1308Google Scholar.
5. See, for instance, the essays by F. L. Lucas and Elizabeth Drew.
6. W. S. Lewis surveys Mary Berry's efforts at defense and subsequent criticism of Walpole in his Horace Walpole [Bollingen Series XXXV.9/ (New York, 1961), pp. 6–7Google Scholar.
7. Lewis, W. S., “A Library Dedicated to the Life and Works of Horace Walpole,” The Colophon, A Book Collectors' Quarterly, Pt. 3, No. 4 (1930)Google Scholar. Lewis had already published an edition of selected writings by Walpole in 1926.
8. Lewis, , “A Library Dedicated to Walpole,” The ColophonGoogle Scholar, Pt. 3, No. 4.
9. Lewis holds honorary doctoral degrees from Brown, Rochester, Yale, and other universities.
10. Lewis, , “A Library Dedicated to Walpole,” The ColophonGoogle Scholar, Pt. 3, No. 4.
11. Lewis, W. S. (ed.), Horace Walpole's Fugitive Verses (New York, 1931)Google Scholar; Walpole, Horace, The Duchess of Portland's Museum (New York, 1936)Google Scholar. Lewis's Introduction is chiefly an account of Walpole's friendship with the Duchess of Portland, the owner of the Portland Vase and the granddaughter of Sir Robert Harley.
12. Lewis, , “A Library Dedicated to Walpole,” The ColophonGoogle Scholar, Pt. 3, No. 4.
13. Ibid.
14. Lewis, , Horace Walpole, p. 175Google Scholar.
15. Lewis, , Horace Walpole's Correspondence, XIII–XIV, xxx–xxxiii.Google Scholar
16. Ibid., I (New Haven, 1937), xxiv.
17. Ibid., XIII-XIV, xxix-xxx.
18. Ibid., XIII-X1V, xxxii-xxxiii.
19. This is the collection of Lewis's Mellon Lectures in the Fine Arts, delivered at the National Gallery of Art in Washington in 1960, and printed in 1961 by the Pantheon Press. See note 6 above.