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Queer Korea. Edited by Todd A. Henry. Durham, N.C.: Duke University Press, 2020. xi, 388 pp. ISBN: 9781478002901 (cloth).

Published online by Cambridge University Press:  17 May 2021

Jamie J. Zhao
Jamie J. Zhao*
Affiliation:
Xi'an Jiaotong-Liverpool University and NingboTech University
*
[email protected]
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Type
Book Reviews—Northeast Asia
Information
The Journal of Asian Studies , Volume 80 , Issue 2 , May 2021 , pp. 485 - 489
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Copyright
Copyright © The Association for Asian Studies, Inc. 2021

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References

1 McLelland, Mark, “From Queer Studies on Asia to Asian Queer Studies,” Sexualities 21, no. 8 (2018): 1271–75CrossRefGoogle Scholar.

2 See, for example, Chris Berry, “Chris Berry Responds to Dennis Altman,” Australian Humanities Review 2 (1996), http://australianhumanitiesreview.org/2008/05/01/chris-berry-responds-to-dennis-altman/; and Berry, Chris, Martin, Fran, and Yue, Audrey, “Introduction: Beep—Click—Link,” in Mobile Cultures: New Media in Queer Asia, ed. Berry, Chris, Martin, Fran, and Yue, Audrey (Durham, N.C.: Duke University Press, 2003), 7CrossRefGoogle Scholar.

3 See, for example, Sun, Jung, Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols (Hong Kong: Hong Kong University Press, 2011)Google Scholar.

4 See Oh, Chuyun and Oh, David C., “Unmasking Queerness: Blurring and Solidifying Queer Lines through K-Pop Cross-Dressing,” Journal of Popular Culture 50, no. 1 (2017): 9–29CrossRefGoogle Scholar.

5 For a detailed discussion of this case, see Laurie, Timothy, “Toward a Gendered Aesthetics of K-Pop,” in Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s, ed. Chapman, Ian and Johnson, Henry (New York: Routledge, 2016), 214–31Google Scholar.