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The Meiji Political Novel: A Brief Survey

Published online by Cambridge University Press:  23 March 2011

Horace Z. Feldman
Affiliation:
Columbia University
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Extract

From a purely objective point of view, the study of the political novel in any period of history is useful because of the inherent value of that particular type of novel – portrayal of the political ideology of its time and presentation of its authors' political opinions. This is especially true with reference to the political novel in Japan's Meiji era. The Restoration had shifted the balance of power; Western influence was strong; Japan was emerging from her self-imposed seclusion. In the first flush of her breakaway from previous restraints – and before new ones could be devised and stringently enforced – Japan's political thought as expressed in the literary vehicle specifically designed for it presents perhaps a truer index of the feelings of the literate classes than does the governmental mechanism which was evolved at that time, inasmuch as one of the avowed purposes of a novel is to appeal to its audience, a point not included in Japanese governmental tradition. This being the general trend in the Far East, the most important medium – even the only medium – through which the articulate could register their objections and their own thoughts has been literature. Certainly one of the most important causes for the Western belief that the Oriental is phlegmatic and mysterious is that so little study has been made of his writings, the only possible channel for his outpourings.

Type
Articles
Copyright
Copyright © The Association for Asian Studies, Inc. 1950

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References

* Mr. Feldman served as commanding officer of a Japanese interrogation and translation detachment in the Pacific and Japan during the war. He has an M.A. in Far Eastern languages from Harvard University (1948), and is at present working on a Ph.D. degree at Columbia University. His doctoral dissertation concerns the development of the modern Japanese novel.

1 Here I omit novels in the Chinese tradition and also pulp novels, both of which began much earlier.

2 Heisuke, SugiyamaBungei gojūnenshi (Literary arts: a 50-year history) (Tōkyō: Masu shobō, 1948), 78.Google Scholar

3 His pen-name was Shiba Shirō , and he lived from 1852 to 1922.

4 In Meiji bunka kenkyū ronsō (A collection of essays on Meiji culture), compiled by kenkyukai, Meiji bunka (Tōkyō: Ichigensha, 1934), 283.Google Scholar

5 Ordinarily the hero's surname would be read Kuniya. Here, however, Suehiro apparently intended that it be read Kunino to spell out Kuni no motoi-the basis of the country.

6 Literary advocacy of the equality of women began in 1874 with Doi Koka's Kinsei onna daigaku (The great learning for modern women).

7 “'Kinrai ryūkŌ no seiji shŌsetsu wo hyŌsu” (Criticizing the presently popular political novel), Kokumin no tomo , July 1887. Quoted by Sugiyama, 80.

8 Meiji bunken mokuroku (Bibliography of Meiji works) (TŌkyŌ: Nippon hyŌronsha, 1931), 18passim.Google Scholar

9 RyŌhei, Shioda, Meiji no sakka to sakuhin (Meiji authors and works) (KyŌto: Inshokan, 1947), 21.Google Scholar