Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-26T07:14:13.117Z Has data issue: false hasContentIssue false

Brocade of Human Desires: The Poetics of Weaving in the Jin Ping Mei and Traditional Commentaries

Published online by Cambridge University Press:  26 February 2007

Ming Dong Gu
Affiliation:
[email protected] Professor ofModern Languages at Rhodes College.
Get access

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Research Article
Copyright
Copyright © Association for Asian Studies 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

List of References

Jin Ping Mei cihua (Cihua edition of the Plum in the golden vase). By Xiaoxiaosheng . 1980. Vols. 1 and 3. Taipei: Zengnizhi wenhua shiye youxian gongsi.Google Scholar
Jin Ping Mei ziliao huibian (Collected materials for the study of the Plum in the golden vase). 1985. Comp. Hou Zhongyi and Wang Rumei . Beijing: Beijing Daxue chubanshe.Google Scholar
Wen Long piping Jin Ping Mei (Wen Long's commentary on the Plum in the golden vase). 1986. In Jin Ping Mei chengshu yu banben yanjiu (A study of Plum in the golden vase's composition and editions), ed. Liu, Hui . Shenyang: Liaoning renmin chubanshe.Google Scholar
Barthes, Roland. 1974. S/Z: An Essay. Trans. Richard, Miller. New York: Hill and Wang.Google Scholar
Barthes, Roland. 1975. The Pleasure of the Text. Trans. Richard, Miller. New York: Hill and Wang.Google Scholar
Barthes, Roland. 1977. “From Work to Text.” In Image, Music, Text, trans. Stephen, Heath. New York: Hill and Wang.Google Scholar
Bloom, Harold. 1975. A Map of Misreading. Oxford: Oxford University Press.Google Scholar
Derrida, Jacques. 1981. Dissemination. Trans. Barbara Johnson. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Eagleton, Terry. 1983. Literary Theory: An Introduction. Oxford: Basil and Blackwell.Google Scholar
Gu, Milton M. {Ming Dong}. 1997. “The Genesis and Evolution of Literary Forms: An Inquiry Across Cultural Boundaries.” Tamkang Review 17(4):443–76.Google Scholar
Hanan, Patrick. 1963. “Sources of the Chin P'ing Mei.” Asia Major 10(1):2367.Google Scholar
Holland, Norman. 1968. The Dynamics of Literary Response. Oxford: Oxford University Press.Google Scholar
Hsia, C. T. 1968. The Classic Chinese Novel: A Critical Introduction. New York: Columbia University Press.Google Scholar
Lévy, André. 1985. “Introduction to the French Translation of Jin Ping Mei cihua.” Trans. Marc, Martinez. Renditions, no. 24:109–29.Google Scholar
Li, Xiusheng and Zhao, Yishan, eds. 2001. Zhongguo fenti wenxue shi: Xiaoshuo juan : (History of Chinese literature by genres: Fiction volume). Shanghai: Guji chubanshe.Google Scholar
Li, Yu . 1980. Li Liweng quhua (Li Liweng's talks on drama). Changsha: Hunan renmin chubanshe.Google Scholar
Lu, Ge and Ma, Zheng . 1991. Jin Ping Mei renwu daquan (A dictionary of characters in the Plum in the golden vase). Changchun: Jilin wenshi chubanshe.Google Scholar
Ning, Zongyi — and Luo, Derong . 1992. Jin Ping Mei dui xiaoshuo meixue de gongxian (The Plum in the golden vase's contributions to the aesthetics of fiction). Tianjin: Tianjin Shenhui Kexueyuan chubanshe.Google Scholar
Plaks, Andrew. 1987. The Four Masterworks of the Ming Novel. Princeton, N.J.: Princeton University Press.Google Scholar
Plaks, Andrew. 1993. Mingdai xiaoshuo sida qishu (The four masterworks of the Ming novel). Beijing: Heping chubanshe.Google Scholar
Proust, Marcel. 1954. A la Recherche du temps perdu (Remembrance of things past). 3 vols. Paris: Gallimard.Google Scholar
Robert, Marthe. 1980. The Origin of the Novel. Bloomington: Indiana University Press.Google Scholar
Roy, David. 1977. “Chang Chu-p'o's Commentary on the Chin P'ing Mei.” In Chinese Narrative: Critical and Theoretical Essays, ed. Andrew, Plaks. Princeton, N.J.: Princeton University Press.Google Scholar
Roy, David. 1986. “Chin P'ing Mei.” In The Indiana Companion to Traditional Chinese Literature, ed. William, Nienhauser. Bloomington: Indiana University Press.Google Scholar
Roy, David. 1990. “How to Read The Plum in the Golden Vase.” In How to Read the Chinese Novel, ed. David, L. Rolston. Princeton, N.J.: Princeton University Press.Google Scholar
Roy, David, trans. 1993. The Plum in the Golden Vase. Vol. 1. Princeton, N.J.: Princeton University Press.Google Scholar
Roy, David, trans. 2002. The Plum in the Golden Vase. Vol. 2. Princeton, N.J.: Princeton University Press.Google Scholar
Tanner, Tony. 1979. Adultery in the Novel: Contract and Transgression. Baltimore: Johns Hopkins University Press.CrossRefGoogle Scholar
Wang, Rumei . 1984. “Ping Zhang Zhupo de Jin Ping Mei pinglun” (On Zhang Zhupo's commentaries on the Plum in the golden vase). In Lun Jin Ping Mei (On the Plum in the golden vase). Beijing: Wenhua yishu chubanshe.Google Scholar
Watt, Ian. 1960. The Rise of the Novel: Studies in Defoe, Richardson, and Fielding. Berkeley and Los Angeles: University of California Press.Google Scholar
Xu, Shuofang . 1988. Lun Jin Ping Mei de chengshu ji qita (On the composition of the Plum in the golden vase and other matters). Jinan: Qilu shushe.Google Scholar
Ye, Lang . 1982. Zhongguo xiaoshuo meixue (The aesthetics of Chinese fiction). Beijing: Beijing Daxue chubanshe.Google Scholar
Zhang, Hongxun . 1984. “Shi tan Jin Ping Mei de zuozhe, shidai, qucai” (Tentative remarks on the Plum in the golden vase's author, time, and sources). In Lun Jin Ping Mei (On The plum in the golden vase), comp. Hu Wenbin and Zhang Qingshan . Beijing: Wenhua yishu chubanshe.Google Scholar