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Three Principles for an Asian Humanities: Care First . . . Learn From . . . Connect Histories
Published online by Cambridge University Press: 10 December 2014
Abstract
In order to express what is uniquely accomplished in the field, Asian studies should be reconceived as Asian humanities and should adhere to three principles: care first, learn from, and connect histories. A review of the history and criticisms of Asian studies as a field calls for a positive theoretical articulation of what the best scholarship in Asian studies does and has done. The principles advocated here are not exclusive to Asian studies and should be extended to all area studies fields, but they are offered as a way to understand Asian studies as an essential field of the university and the academy, unique because of its content but common in spirit with the humanities generally.
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References
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4 The primary point of attack has been Middle Eastern studies, but that attack has affected all area studies. In the charged political environment in the United States surrounding Islam and Muslims, a veritable cottage industry has arisen around efforts to “monitor” academic discourse on the “Middle East.”
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53 Compare L. L. Zamenhof in a letter from 1895: “I was educated as an idealist. I was taught that all people were brothers; meanwhile on the street and in the courtyard, everything at every turn caused me to feel that people did not exist: only Russians, Poles, Germans, Jews, etc.” Zamenhof, L. L., Originala verkaro [Collected original works], ed. Dietterle, Johann (Leipzig: Ferdinand Hirt, 1929), 418Google Scholar. Afsar Mohammad quoted to me an Urdu ghazal of Josh Malihabadi (d. 1982) expressing the same sentiment: “Insān kahāṁ hai kis kurre meṁ gum hai / hindū hai koī, aur musalmān koī.” (Where is the Human? In what pit does it hide? Here is a Hindu, there a Muslim.)
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56 Ibid., 743.
57 Ibid., 743.
58 Ibid., 761–62.
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66 Justin McDaniel, for instance, demonstrates in relation to conventional understandings of Buddhist religious images “that sifting through the pile of stuff that accumulates around or on major images reveals a history of response and relationships that can tell us more about a piece of art than the name of the artist or the style of the period.” McDaniel, Justin, “The Agency between Images: The Relationships among Ghosts, Corpses, Monks, and Deities at a Buddhist Monastery in Thailand,” Material Religion 7, no. 2 (2011): 242–67 at 246CrossRefGoogle Scholar. The significance of relationships and of fun to the religiosity of image worship among Thai Buddhists is only seen by attending first to their own expressions of what images do. The relationships between these images and between images and people are a form of connected history at a micro-level.
67 See Mark Granovetter's classic essay on the “strength of weak ties” as a way to conceptualize how even small connections can have a big social impact: Granovetter, Mark S., “The Strength of Weak Ties,” American Journal of Sociology 78, no. 6 (1973): 1360–80CrossRefGoogle Scholar.
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70 Whether my motivation for writing this essay stems from some form of “white guilt” remains a possibility, but this too is one of the unavoidable prejudices that helped me, and specifically me, formulate the essay in the way that I have. Of course, I hope others may learn from my prejudiced theoretical analysis of Asian humanities.
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